A Quote by Clive Owen

I think that Phil Kaufman is one of the best directors that I have come across. — © Clive Owen
I think that Phil Kaufman is one of the best directors that I have come across.
I think the best directors rarely loose their temper. I think the best directors provide you with a safe environment where they can instill you with confidence and allow you to try things out and not feel like your failing or that you're doing it wrong.
I was told David Letterman and Kaufman had heart attacks on the same day: David Letterman's heart attack was at a hospital in NYC. Kaufman's heart attack was at the red light district in Amsterdam, Holland. I think Kaufman had more fun. You're a great artist. I just love the way you painted my portrait.
We often come across certain directors who mention some of their own flops as their favourites. They will blame the viewers for not realising its merits. I think that is plain hypocrisy.
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
I would say that maybe directors who act as well are easier with actors. I'm not saying that all directors have this, but sometimes you'll come across a director who sort of looks at an actor a bit like a kind of untrained horse that's been let out of the stable, like they might buck him.
I'm a huge fan of Andy Kaufman. He made his living just being all sorts of characters, and nobody really knowing who the real Andy Kaufman is. And in a sense, I don't think any of you know who the real Trisha Paytas is either.
There was a thing in the Andy Kaufman movie that Jim Carrey [Man On The Moon] about how he would do it. I didn't even see the movie. I read the script. But someone asked me, "Do you know what the best part of the Jim Carrey/Andy Kaufman movie is?" And I said, "me lee see ree bee." I just knew that would be the best part.
I've always wanted to work with the best directors. Directors lead you to the best material and thus the best actors.
I don't want to rescind American directors but I think that European directors in general, because of the size of the nations in Europe are exposed to all different cultures, they can easily travel from one distinct culture to another in a matter of hours - you can drive for two weeks across the United States and you're in the same basic culture - so there is a certain breadth of understanding and sophistication that they bring to it and frankly, in some cases they are less expensive than American directors.
The sci-fi movies I grew up with, the metaphor was very rich, and they used to really mean something: David Cronenberg's films, or John Carpenter's films, or the Phil Kaufman and Don Segel versions of 'Invasion Of The Body Snatchers,' or George Romero's early zombie films.
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
My first year with the Giants they cut Phil Simms. That was the best thing to ever happen to me because George Young loved Phil Simms and it just made me realize that it's a business and you can't take it personally.
I don't go to a lot of other directors' sets; directors don't come to mine. Directors are all very cordial with each other, but they're not necessarily friendly.
Here's my take on Andy Kaufman... For Kaufman, comedy was a skill that was open for examination. He didn't just do comedy, he deconstructed it like it was a transistor set. He pulled out all the wires and switched them around, often in front of our very eyes.
It's not that writing staffs don't change at all, but they don't change very much. Directors are freelancers. There are directors who do five or 10 episodes of a show every year for years, but most directors are freelance, they come and go.
I think 'Shoe Dog' by Phil Knight is the best memoir I've ever read by a business person.
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