A Quote by Clive Owen
I don't think I've ever had a real fashion disaster.
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When I was about 13, I met the coolest, chicest young woman I had ever seen. She was a neighbor of mine who became a fashion designer and had a small design studio. She taught me so many things about style and fashion. I had always loved making things, so when she told me about her career in fashion, I knew I had found my path.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
Death is not a disaster. Too many births - that is the real disaster.
Americans are finally coming to a point where they're accepting of religious criticism, is because George Bush is the first president who really put religion so front-and-center. He's the most Christ-y president we've ever had - and he is, not uncoincidentally, the biggest disaster we've ever had. I think even people who are religious don't like it shoved down their throat. I think people kind of get it on a certain level, that this is an antiscience administration, and we're living in a time where we can't afford to be antiscience - for environmental reasons, for educational reasons.
I was aware that I had to pay off things in a convincing emotional fashion, that I had to address the lingering plot points in some real tangible sense, and that I had to make this a self-contained novel, in case I'm run over by a bus tomorrow or in case there's no demand for anyone to ever see a sequel. (Two things that I hope don't happen, incidentally.)
I think it's changing is that business is not as good as it was and it has become a real question in the world of fashion. You see, bags and shoes don't take on the seasonal quality that fashion does. A black leather bag can be good in any season, but you can't say the same about fashion, particularly about fabrication.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
I wear things that aren't in fashion. I wear colors that aren't in fashion. And as a result of that, I kind of bring it back. I feel like nothing really ever goes out of style. It's just what the media and what people tell people to wear. I think having your own sense of fashion is important.
Have you noticed that only in time of illness or disaster or death are people real? I remember at the time of the wreck-- people were so kind and helpful and solid. Everyone pretended that our lives until that moment had been every bit as real as the moment itself and that the future must be real too, when the truth was that our reality had been purchased only by Lyell's death. In another hour or so we had all faded out again and gone our dim ways.
For him , life was a coin that had disaster on one side and waiting for disaster on the other
In terms of fashion, I think the biggest influence that I had was my father. My pops, he was really into men's fashion and read all of the magazines.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
Facion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.
I'm a real Londoner. We have very grey weather in London, and I think it encourages a very eclectic and crazy fashion sense. I mix high-street stuff with more high-end fashion and vintage.
You may well be right, and disaster may well come, I had told him. But for me it will always be a point of honour to go on working to prevent disaster, if only to make certain it is the right kind of disaster life needs when it does ultimately come.
I'm a real Londoner. We have very grey weather in London, and I think it encourages a very eclectic and crazy fashion sense. I mix high-street stuff with more high-end fashion, and I love vintage.
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