A Quote by Clive Thompson

Truly huge artistic collaboration on the Internet seems to work only if the gang has a well-defined objective. — © Clive Thompson
Truly huge artistic collaboration on the Internet seems to work only if the gang has a well-defined objective.
It's very nourishing and collaborative - kind of the true essence of what one would want an artistic collaboration to be [the collaboration with Oprah Winfrey].
On the surface the avant garde as a whole seems united primarily in terms of what they are against: the rejection of social institutions and established artistic conventions, or antagonism towards the public (as representative of the existing order). By contrast any positive programme tends to be claimed as exclusive property by isolated and even mutually antagonistic sub-groups. So modern art appears fragmented and sectarian, defined as much by manifestos as imaginative work.
The organizations of the future will increasingly depend on the creativity of their members to survive. Great Groups offer a new model in which the leader is an equal among Titans. In a truly creative collaboration, work is pleasure, and the only rules and procedures are those that advance the common cause.
I have a very clear perception what the Internet is in my mind. I'm free. I'm not defined by what they say is the Internet is. Meaning Goldman Sachs, meaning who they invest in for the latest start-up, meaning the latest Buzzfeed, or Salon, or Gawker. Well, Gawker's more independent. But, there's a lot of corporate makeover of the Internet that I have not adapted to, simply put. I'm friends with some of them. When I go to New York I make the 6th Avenue rounds, but I am not a part of that system.
The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.
The first part of my name, Khalil Gibran, seems to be paying huge dividends in terms of the artistic life of the poet from whom my name was inspired.
I'm a huge fan of mafia history - mostly the Italian mafia but also their associates, as well as Whitey Bulger and the Winter Hill Gang.
I feel like we want to compartmentalise things and say, 'Well, that's emotional, artistic and subjective, while this is intellectual, objective and measured.' I have difficulty thinking that's the way we experience things.
In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
Well-developed faith results in well-defined prayers, and well-defined prayers result in a well-lived life.
A highwayman is as much a robber when he plunders in a gang as when single; and a nation that makes an unjust war is only a great gang.
I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world.
Feminism now seems to be defined as success is defined: as being as good at capitalism as men are. I feel very estranged from it.
I was a gang leader. Although, it was a gang for defensive purposes. It was not a gang to sell drugs.
It was a huge deal, a huge musical discovery that became life lessons learned. You can't return from having an experience like that. The Blind Boys are truly the deepest well of American musical heritage you can discover.
My experiences there truly defined who I am to this day as far as my humanitarian work because I was a refugee in Albania.
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