A Quote by Clive Tyldesley

That shot was going goalboundward — © Clive Tyldesley
That shot was going goalboundward

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It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
When you're doing a live-action movie, you have your day set up and you're going to do this shot and this shot, and eventually the sun is going to go down. It's a sequential race to whatever is going to end the day.
I can tell by body language who wants a shot and who's going to make it and who's going to take a bad shot.
He knows all the golf lingo. You know? You hit your ball, he's like "there's a golf shot. That's a golf shot." Well of course it's a golf shot; I just hit a golf ball. You don't see Gretzky skating around going "there's a hockey shot, that's a hockey shot."
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
Even if I do miss a shot, I'm going to be comfortable to get back up there and shoot the same shot again. Make or miss, I'm not going to be frustrated but move on to the next play.
My goal is to protect the basket. Most of the time, I won't block the shot but I'm going to affect the shot or I'm going to affect the way they think.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?
I'm not going to change who I am or the way I promote fights just to get a title shot, but I think I've done plenty to earn that shot.
Sometimes with Polaroids, the shot you want to get in your head doesn't happen. What it makes me do is be patient, I guess, or let go of that presumption of what the shot's going to be.
To have a second movie that you're proud of and that actually turned out the way you wanted, shot by shot, I realize I'm probably going to be able to do this for a little while for my living.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
You look at the inner cities and you see bad education, no jobs, no safety. You walk to the grocery store with your child and you get shot. You walk outside to look and see what's happening, and you get shot. In Chicago 3,000 people have been shot since January 1st. I am not going to let that happen.
I can get a title shot any time I want to. They know I can beat 110% of the champions out there right now. I just have to be motivated. Most of them are going to be trying to not give me a shot.
I felt I have gifted my wicket. So more than technique, I need to work on my shot selection, I need to decide which ball to be hit, I was going for every shot.
Anybody that shoots a hook shot, whatever hand, I jump up and cheer because it's the easiest shot, it's the best tweener shot.
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