A Quote by Cloris Leachman

As soon as I realized that I didn't need meat to survive or to be in good health, I began to see how forlorn it all is. If only we had a different mentality about the drama of the cowboy and the range and all the rest of it. It's a very romantic notion, an entrenched part of American culture, but I've seen, for example, pigs waiting to be slaughtered, and their hysteria and panic was something I shall never forget.
At Andreessen Horowitz, we talk about the notion of being 'too hungry to eat.' That's to say, we often see startups that are so entrenched in the product that the founders forget they need muscle to grow.
I had hated these ponies for the part they played in my father's death but now I realized the notion was fanciful, that it was wrong to charge blame to these pretty beasts who knew neither good nor evil but only innocence. I say that of these ponies. I have known some horses and a good many more pigs who I believe harbored evil intent in their hearts. I will go further and say all cats are wicked, though often useful. Who has not seen Satan in their sly faces? Some preachers will say, well, that is superstitious "claptrap." My answer is this: Preacher, go to your Bible and read Luke 8: 26-33
This notion that Americans have. . . that they don't have to do anything other than be American in order to lead - that's very pervasive in the culture, it goes very deep into how they see themselves here.
It is only with the rise of the Civil Rights Movement that you begin to see different examinations of not only Reconstruction but slavery itself, and there is a lesson to be drawn here about how the times influence the writing of history, something that we should never forget.
In the Netherlands - where I come from - you actually never see a pig, which is really strange, because, in a population of 16 million people, we have 12 million pigs. And well, of course, the Dutch can't eat all these pigs. They eat about one-third, and the rest is exported to all kinds of countries in Europe and the rest of the world.
It's very interesting to see how the music is used, as sometimes you have composed something with a very different intention, and then suddenly you see it connected to something different. For example, it was incredibly strong and beautiful the first time I saw 'This Is England' by Shane Meadows.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
I'm married to a health-conscious American. I try to eat well, but definitely, as an Australian, you have some of the red meat, lamb, steak, barbecues as part of your culture.
It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I'll certainly try to forget the fact.
He remembered poor Julian [actually F. Scott Fitzgerald] and his romantic awe of them and how he had started a story once that began, "The very rich are different from you and me." And how someone had said to Julian, "Yes, they have more money."
How important things had become, now that they were gone! I felt a sudden panic that I would soon forget everything.
How can you have a reasonable debate with people who are constantly changing the panic? They are moving the panic to a greater wave of hysteria?
All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
He let you have the pants anyway?" she asked. I had started talking about Maxon as soon as I could, eager to know how their conversation had gone. "Yeah. He was very generous about it all." "I think it's charming that he's a good winner." "He is a good winner. He's even gracious when he's gotten the raw end of things." Like a knee to the royal jewels, for example.
It was like that class at school where the teacher talks about Realization, about how you could realize something big in a commonplace thing. The example he gave--and the liar said it really happened--was that once while drinking orange juice, he'd realized he would be dead someday. He wondered if we, his students, had had similar 'realizations.' Is he kidding? I thought. Once I cashed a paycheck and I realized it wasn't enough. Once I had food poisoning, and realized I was trapped inside my body.
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