A Quote by Clotilde Hesme
France loves American cinema because when an American remake is successful, it makes us money to produce more French films.
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American films, it's a money-making industry. And in France, you can find great respect for cinema as art.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
I pity the French Cinema because it has no money. I pity the American Cinema because it has no ideas.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
Why does there exist a global American entertainment industry, but there isn't an equivalent coming from France or Italy? This is the case simply because the English language opens the whole world to the American cinema.
I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.
If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.
Even in Haiti, I saw John Wayne movies. American cinema has always been the dominant cinema throughout the world, and people tend to forget that. People aren't just seeing these films in California or Florida. They're seeing them in Haiti, in Congo, in France, in Italy and in Asia. That is the power of Hollywood.
Well, I think by and large, certainly in terms of cinema, American culture dominates our cinema, mainly in the films that are shown in the multiplexes but also in the way that it has a magnetic effect on British films.
The problem with American cinema is that because you're making films with huge amounts of money you need to hit the lowest common denominator in order to make it back and so therefore you're not allowed to play with moral ambiguities or ask questions.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
In comparison to the French Revolution, the American Revolution has come to seem a parochial and rather dull event. This, despitethe fact that the American Revolution was successful--realizing the purposes of the revolutionaries and establishing a durable political regime--while the French Revolution was a resounding failure, devouring its own children and leading to an imperial despotism, followed by an eventual restoration of the monarchy.
I can tell you that too much money is corrupting American politics. Don't blame the American public. The U.S. Supreme Court has a lot to answer for, because it has made it impossible for Congress to reduce the corrupting influence of money on American political life.
This country of ours has more wealth than any nation, but that's not what makes us rich. We have the most powerful military on Earth, but that's not what makes us strong. Our universities and our culture are the envy of the world, but that's not what keeps the world coming to our shores. Instead, it is that American spirit - that American promise - that pushes us forward even when the path is uncertain; that binds us together in spite of our differences; that makes us fix our eye not on what is seen, but what is unseen, that better place around the bend.
The real reason French women don't get fat is not genetic, but cultural, and if the French subjected themselves to the American extremes of eating and dieting, the obesity problem in France would be much worse than what has struck America.
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