A Quote by Clyde Tombaugh
To me, the noise of a threshing machine is better music than a lot of music I hear nowadays. I took a man's place in the threshing crew when I was only 14 years old.
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Being edited is like falling face down into a threshing machine.
A lot of people may know me for my music now. It took me almost 14 years to get where I am, and it was really hard.
My mom, she got taken away from me when I was 14 years old. She is incarcerated. My sister was incarcerated. I was homeless. When my mom went away when I was 14... I was forced to live with my aunt. My aunt, she doesn't like rap music. She thinks rap music is the devil's music. Basically she said, "Yo, if you are going to do music you can't do it in my house."
I don't want to do a gimmick. It's a bummer that that's how it is. I would say, personally speaking, consuming music now is harder than it was before. It's like being stuck in a slot machine. There's just so much noise. It's just constant noise. It's harder to clear your head and give the time to music that a lot of it really deserves. It's really crazy how different your relationship to an album or music becomes, even if it's digital, if you spend the $7 to $10 on it. It forms this relationship where you're not just going to throw it away.
I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.
When I was 4 years old my mother put me into an early music education school. That's where they taught you perfect pitch and harmony and how to write music and all that. At that time, one of the homeworks was to listen to all the sounds and the noise of a day and transfer that into musical notes.
When you hear the music of these celebrated Dutch superstar-DJs nowadays... my God, I wouldn't even feed their music to my dog. I don't consider that to be my sort of dance music.
Music has brought me some of the highest moments of my life. I don't even hear the music. I don't even hear the notes. I'm not aware that someone has turned on a tape machine - I'm in another world.
I was the guy who didn't get a cool little apartment. I took one for the team. I liked having the place we could make noise in, the place that could be the center of the music. I sat down and calculated it one day, and over the years, I've had something like 38 roommates.
I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.
I was about 16 years old years when my father took me to a square dance festival in North Carolina. For the first time in my life, I found there was music in my country that you never heard on the radio, and you didn't hear on the juke boxes, and in theaters. I fell in love with it, especially the long-necked banjos.
....the ancient ritual of the earth; ploughing and planting, reaping and threshing. The fundamental business remains unaltered; it is only the methods and tools that science is changing.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.
Live we're a lot louder and noisier on the album. I think for the album we took a lot of time for the songwriting and we wanted to make good pop music, and I think there's plus and minuses to doing pop music and noise.
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