A Quote by CM Punk
I'm not doing my job if people are like, "What you do is fake." And literally people on the street are confused, generally, for the first time.
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It is what it is, and it's a crazy job - I literally touch letters and wear pretty clothes, and how do you describe that job? It's weird, but I've been doing it for a long time, and I'll be first to make fun of it - I really will - but I wouldn't trade it for anything else in world.
Doing a job RIGHT the first time gets the job done. Doing the job WRONG fourteen times gives you job security.
I literally knew nothing when I did that show ["Tony Flanagan"]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
People asked me, 'Why aren't you doing something more important?' When I was doing well in the D-League, they were like, 'Why can't you get an NBA job? Or a college job?' I don't think people thought much of what I was doing. That's fine. I was learning. Not just X's and O's, but team dynamics.
I think people are fascinated with breasts that bounce. They are so used to seeing fake ones – people are confused.
My breasts have a life of their own.
I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
I was in Manhattan during 9/11, and that was really the only thing that I related to as far as a disaster on a grand scale. It was really interesting to see on that day and in the weeks afterwards how people came together, and what people were able to do for each other, and what I found myself feeling and thinking and doing for the people around me, whether it was strangers on the street or my own family. It was really an experience that you can't fake.
I'm not oblivious to that connotation of changing careers, so I'm just going in and doing the job. I think that you can't fake doing the job. All I want to do is deliver. That's my focus.
When I first joined 'Dancing with the Stars,' I did not want to do it. It's not what I like, it's not what I believe in... the judges are fake, this is fake, that is fake... there is not a lot of reality.
The first MLB game I did was a Monday Night game, and no one really knew I was doing it. So walking into the clubhouse, I tried to introduce myself to people like, 'Hey, I'm in the booth.' And they were kind of confused, like, 'You're a female, I don't understand.'
I was impersonating people way, way, way early, as far back as I can remember. And I would do people on my street for my parents, I remember. And in school, I did the same thing with all the teachers. It was just like, I mean, it was something I loved to do. I don't think there was a time when I wasn't doing it. I was always doing it.
The accent in England can change literally from street to street, and people have this sort of feudal tribalism whereby you can identify somebody's provenance by their voice.
In pro wrestling, it's fake. People always get offended by that word. 'No, we like to say it's pre-determined.' For whatever reason, people get angry at 'fake'; 'pre-determined' eases the blow? It's fake. At the end of the day, it doesn't really mean anything.
One time, I was literally stopped on the street, literally and physically whipped around by this guy who looked at my face and was like, 'Are you Felix?' I looked very different then. I was like, 'Yah... Oh, yah!' I was stunned and slightly frightened.
My purpose is to show people that you can take what God put inside of you, inside your heart, and you can live by it! Like, literally. Somebody might like to make shoes or make hats. You can literally live by that gift and no go get a nine to five job. I just to keep my purpose in front of everything that I do, and that is just reminding people that it's possible. That's what it's all about for me.
I make documentaries from time to time to remind myself of reality. It's like musicians doing scales to keep their fingers working: when you're in the street, listening to people, you're forced to be in the service of your subject.
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