A Quote by CM Punk

I've always been me. The last three weeks of my career, I've cut some of the best promos I've ever cut, and I do consider myself to be a promo guy. — © CM Punk
I've always been me. The last three weeks of my career, I've cut some of the best promos I've ever cut, and I do consider myself to be a promo guy.
The thing I realized about final cut is it's the power of the best cut. I didn't have final cut on 'Prisoners,' but what you saw is the best cut. 'Sicario' is a directors' cut. 'Arrival' is a directors' cut.
Ultraconservatism is, to me, so illogical. Everywhere you go, conservatives want to cut, cut, cut, cut - cut money for powerless people. So, that's the biggest problem I have with them.
Long hair is a security blanket for me. I cut it short a few years ago and I really never want to do that again. When I do cut it, I cut it myself.
For a long time, censors have been cutting my works. This makes me so sad, because many times they will tell me, 'Television won't like, so we have to cut, cut, cut!'
Arn Anderson - I loved 'The Enforcer' Arn. He cut the best promos. He always looked cool because he had that Polo with the rope chain, the rose-colored glasses, and that mean beard.
Once committed to fight, cut. Everything else is secondary. Cut. That is your duty, your purpose, your hunger. There is no rule more important, no commitment that overrides that one. Cut. Cut from the void, not from bewilderment. Cut the enemy as quickly and directly as possible. Cut decisively, resolutely. Cut into the enemy’s strength. Flow through the gaps in his guard. Cut him. Cut him down utterly. Don’t allow him a breath. Crush him. Cut him without mercy to the depths of his spirit." -Richard Rahl
Any time I have a promo with him - and I like R-Truth, too - but I always have the best chemistry with Miz. We really don't stay on script perfectly. We kind of bounce off each other... He is the one I paid attention to when it came to promos. He helped me so much along the way with backstage segments.
I've never tried to drive my career in any particular direction. I've always been an in-the-moment, live-for-today guy. I've never had a goal, and nearly everything I've done has been an accident. I just play to me, and if I can amuse myself, I consider it a victory.
I've cut myself out... I've cut scenes out that I was in and that's when you realize that you've got to make the best movie you can.
The first thing I notice when I look in the mirror is whether or not I need a fringe trim. I'm not brave enough to cut it myself - I can't look like a three-year-old whose mum has cut their hair again.
You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy.
When I was training before I was even signed, I was listening to the Damian Marley CD 'Welcome to Jamrock,' and I got the idea one day in promo class to cut a promo in a Jamaican accent and everybody in the class went wild. That was the character I played from that point on and it kind of stuck until it didn't.
That guy just cut right in front of me. But I'm not going to let it bother me. No. I'm on my way to work and I decided it doesn't matter who wants to cut in front of my lane today. I'm not going to let it bother me one bit. Once I get to work, find myself a parking space, if somebody wants to jump ahead of me and take it, I'm going to let them.
I say to myself that I mustn't let myself be cut off in there, and yet the moment I enter my bag is taken out of my hand, I'm pushed in, shepherded, nursed and above all cut off, alone. Whitehall envelops me.
As the most generous vine, if it is not pruned, runs out into many superfluous stems, and grows at last weak and fruitless; so dote the best man, if he be not cut short of his desires and pruned with afflictions. If it be painful to bleed, it is worse to wither. Let me be pruned, that I may grow, rather than be cut up to burn.
The Stones were always exemplary of one of the best of all rock qualities: tightness. They have always been economical, the opposite of ornamental. Having a very clear idea of what they wanted to say they could go into a studio and make it all up on a three minute cut.
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