A Quote by CM Punk
I think the good ones, the interviews and the promos people remember, those are improv.
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We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.
I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.
But the classic Tenacious D songwriting is Jack or myself will have an idea - I might have a riff - and we'll improv. And once Jack's feeling it, we turn on the tape recorder and start jamming, improv on that riff, improv on those lyrics, and then go back and see if there's anything good in there.
I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
I think in the inception and creation of the characters, improv was the most important part for me, because I wanted to feel at home in those characters. I wanted to feel like I could commit to them. And so much of improv is saying yes and committing, so I think that's where the improv came in. Even if I'm saying yes to the X across the room from me, or the tennis ball on a stick, I have to stay alive.
I remember sitting one time doing 100 interviews in a day, and they're all television interviews and they're kind of - and you just sit there and they bring these people in and out, and in out.
It's a compliment that people think that I'm a good player. I remember when people didn't think I was good. And I remember being a rookie coming into the league with a big chip on my shoulder trying to prove myself.
If you follow my MMA career, I've always been the pro wrestler of women's MMA, coming out with a guitar, saying crazy things on interviews, promos and such.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
I always had a much softer approach to my interviews and promos. I was not so much that wrestler that was yelling at the screen; I was always the one that was talking to my fans.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
Hollywood thrillers give away almost 70 percent of the story in promos but still the film remains interesting. In India we do a lot of cuts and put in songs in promos to create an impact.
I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
I grew up watching guys - like, I loved Mick Foley's ECW promos; I loved CM Punk's promos. There's this guy, Eddie Kingston. He was just a fantastic talker, so I used to study and watch him. I mean, gosh, there's just such a big list of guys who I used to study. I used to watch promos as much as I did matches.
Think of me, think of me fondly When we've said goodbye. Remember me once in a while Please promise me, you'll try. Recall those days, look back on all those times, Think of those things we'll never do. There will never be a day When I won't think of you. Can it be? Can it be Christine? Long ago, it seems so long ago, How young and innocent we were. She may not remember me But I remember her.
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