A Quote by Coco Chanel

I was a rebellious child, a rebellious lover, a rebellious couturière - a real devil. — © Coco Chanel
I was a rebellious child, a rebellious lover, a rebellious couturière - a real devil.
I'm not rebellious. I try to be rebellious, but I don't walk around being rebellious for no reason.
I think I always had, like, a rebellious spirit. But it wasn't a rebellious spirit to do wrong. It was a rebellious spirit to do something different.
I was a rebellious adolescent. It was the '60s. Everyone was rebellious. I hated high school.
Why are the people rebellious? Because the rulers interfere too much. Therefore they are rebellious.
The youth in India tend to be rebellious, as with everywhere else, and that makes Shiva exciting. He has the rebellious qualities that the youths like.
Men are destroyed for being rebellious, and women destroy themselves by failing to be rebellious. Unless you can make that next jump to either getting along with people or resisting people, you are ultimately destroying yourself.
I was quietly rebellious. My parents thought I was very good but secretly I did things like saying I was staying in one place and going somewhere else instead. My older sister was openly rebellious and would tell my parents where to go, but I never did that.
Initially we were spitting lyrics over garage beats, in that eight-bar gap where there wasn't a vocal. But we were rebellious towards garage because they were rebellious towards us; a lot of their gatekeepers said grime was too violent.
Once I started dancing, I was not the spoiled brat or the rebellious child that I was as a child.
The future will be the child of the past and the present, even if a rebellious child.
I'm not the angry, rebellious child that I was. You can remain a child for a long time. I certainly did. I was a slow learner.
I grew up playing the piano, but you know, as a rebellious child, I convinced myself that I hated it.
I've always been a very rebellious, philosophical person, so my mother set the foundation for my appreciation for nature and my empathy for other people. But then, being a sort of rebellious, philosophical thinker, I'm always looking for new ways to shake things up. So I feel like I'm really lucky to be alive in a time where there's so much opportunity to disrupt and shake it up. It's sort of a combination between that and having the foundation that my mother gave me.
The fifties were pretty rebellious, a pretty rebellious period, around that time. And it was preceding the whole zoot suit thing which I think really contributed to a lot of anxiety, to a lot of frustration, a lot of blaming. And it just like boom, it was very destructive for us as a people, that right away put us on like we had to defend ourselves on every level, every moment. We seemed like we always had to be on guard.
Most comics are not truly rebellious or creatively free. Most comics, paintings, music, etc., are derivative of other, more successful works. And it's quite often that those without much rebellious spirit are the ones to imitate it. Genuine radical expression is hard to come by, but it usually crops up when money is not a motivating factor. You can take all the liberties you want when someone else's dime is not at stake. The validation is not a threat to comics. A far greater threat to the creative freedom of artists working in any medium is self-consciousness and self-censorship.
To begin with, the key principle of American indie rock wasn't a circumscribed musical style; it was the punk ethos of DIY, or do-it-yourself. The equation was simple: If punk was rebellious and DIY was rebellious, then doing it yourself was punk. 'Punk was about more than just starting a band,' former Minutemen bassist Mike Watt once said, 'it was about starting a label, it was about touring, it was about taking control. It was like songwriting; you just do it. You want a record, you pay the pressing plant. That's what it was all about.'
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