A Quote by Coco Chanel

Beauty comes when fashion succeeds — © Coco Chanel
Beauty comes when fashion succeeds
Fashion has two purposes: comfort and love. Beauty comes when fashion succeeds.
I believe every chess player senses beauty, when he succeeds in creating situations, which contradict the expectations and the rules, and he succeeds in mastering this situation.
I think fashion can tell a story about celebrating difference, can talk about how different people are, how diverse people are - and for me, that's where fashion really succeeds, when it tackles things to do with the world we live in.
For me, fashion succeeds when it says something about the times we live in.
Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.
I tend to like to make my statements more in fashion than in beauty, because what I normally respond to is when someone looks really effortless and deconstructed, beauty-wise, and they're fashion is really grand. Someone like Kate Moss is a great example.
Beauty comes from within, but it's up to us to use fashion and beauty to express who we are on the inside.
Fashion is not a real element of beauty in external objects; and to persons who possess a good endowment of Form, Constructiveness and Ideality, intrinsic elegance is much more pleasing and permanently agreeable, than forms of less merit, recommended merely by being new. Hence there is a beauty which never palls, and there are objects over which fashion exercises no control.
When cultural change succeeds, it succeeds because it's so embedded in what we do that we don't have to think about.
Goldie Hawn has always been a beauty and fashion icon to me. She radiates joy and infuses beauty into everything through her smile and spirit. She is a great example of what real beauty means to me.
The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go.
Insofar as one can talk of a Vionnet school, it comes mostly from my having been an enemy of fashion. There is something superficial and volatile about the seasonal and elusive whims of fashion which offends my sense of beauty.
Beauty too often sacrifices to fashion. The spirit of fashion is not the beautiful, but the wilful; not the graceful, but the fantastic; not the superior in the abstract, but the superior in the worst of all concretes,-the vulgar.
I have a lot to say about fashion - not just about fashion, but beauty, art.
Although people often equate them, glamour is not the same as beauty, stylishness, luxury, celebrity, or sex appeal. It is not limited to fashion or film; nor is it intrinsically feminine. It is not a collection of aesthetic markers - a style, as fashion and design use the word.
When one tight end succeeds, everybody succeeds - like the tight ends were making under $10 million a year. To me that doesn't make any sense.
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