A Quote by Coco Chanel
If I say that I love you but I do want personal time, or if I don't want to do PDA, it's not that I have something against you.
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And I can't say it now. I can't say what I want to say. I hold you-- I-- I clutch you, because I love you so desperately, and time is so short, we have such a little time in which to live and be young, even at best, and I put my arms around you and hold you because I want to love you while I can and I want to know I'm loving you, only it doesn't mean anything because you aren't afraid. You aren't frightened so that you want to clutch it all while you can.
I want that love that moved the mountains.
I want that love that split the ocean.
I want that love that made the winds tremble.
I want that love that roared like thunder.
I want that love that will raise the dead.
I want that love that lifts us to ecstasy.
I want that love that is the silence of eternity.
I think when I was younger, I was struggling to kind of differentiating love from a personal love or a tennis love or whatever else. There was time that I wasn't sure how to deal with both things in the same time. But you learn. I guess we grow. I mean, I don't want to say I've learned from my mistakes, but I've learned myself a little bit better.
People only love you as long as they're getting something of you, but the minute you say something they don't want to hear or do something they don't want to see, all the admiration drains from their hearts.
You want to be the first to do something. You want to create something. You want to innovate something...I often think of Edison inventing the light bulb. That's what I want to do. I want to drive over the bridge coming out of New York there and look down on that sea of lights that is New Jersey and say, `Hey, I did that!'
I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.
If you want to liberate someone, love them.Not be in love with them - that's dangerous. If you're in love with your children, you're in their lives all the time. Leave them alone! Let them grow and make some mistakes. Tell them, "You can come home. My arms are here - and my mouth is too." When you really love them, you don't want to possess them. You don't say, "I love you and I want you here with me."
I've wanted you from the moment I first saw you in the museum. Before that. I wanted every part of you from the first time I felt you, your presence. I want you in the sky, and against the earth. I want to kiss you again, I want to touch you, I want to feel you in my arms and I want to hear you gasping my name when I'm inside you. I want all that, and I want it badly. Every time I look at you, I want it. So you're going to have to become used to that, Rue. It won't change." (Christoff to Rue)
You know, people don't want their intelligence insulted. They don't want to be preached to. They don't want to be degraded. All they want to do is sit, laugh, have a good time, love one another, forget about what's going on in the world, and find something out so they can be useful in this life. Do this and you have common sense.
We depend for so much on those we love that of course we want them to have desirable personal qualities and to believe that we do too. But if we pin our love for another, and theirs for us, based on personal qualities, it confers an unacceptable conditionality and substitutability on love: we don't want to be exchanged for a better model of whatever our lovers deem to be desirable, so there is a strong tendency to want: to be loved for no reason at all, simply be loved.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
You have to learn to say no not just to things you don't want to do, you have to say no to things that you want to do, things that are good to do. You have to realize that every time you say yes to one thing you've got to take something else off the plate. Critically, I think you have to realize that it's easier to say no than to say maybe.
It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.
My wife will tell you it's the little things, like driving my boys to school on my days off so she can rest. We're not into PDA, but every time we end a phone conversation, we say 'sarang,' which means love in Korean.
With the project where I'm making something with my own name, my main mission statement is honesty. I never want to hold back from what I'm saying for fear of showing it to people. At the same time, I try to take my own personal experiences and problems and wrap them around lyrics that are a little more universal and not naming names. I don't let it get that personal. That's not really a fear of over-sharing, it's just what makes a good song. I want to get people to listen to it and to find a universal aspect of what I'm trying to say.
It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
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