A Quote by Coco Chanel

Guilt is perhaps the most painful companion of death. — © Coco Chanel
Guilt is perhaps the most painful companion of death.
...to be injured on this tundra would lead to a quick and painful death—or at the very least abject humiliation before the popping flashes of the tourist season's tail end, which was slightly less painful than a painful death, but lasted longer.
If someone were to say that life at hard labor is as painful as death and therefore equally cruel, I should reply that, taking all the unhappy moments of perpetual slavery together, it is perhaps even more painful, but these moments are spread out over a lifetime, and capital punishment exercises all its power in an instant.
No acquisitions of guilt can compensate the loss of that solid inward comfort of mind, which is the sure companion of innocence and virtue; nor can in the least balance the evil of that horror and anxiety which, in their room, guilt introduces into our bosoms.
There is not, perhaps, to a mind well instructed, a more painful occurrence, than the death of one we have injured without reparation.
Monsters, among other brutes, are the ones without guilt feelings. Perhaps Hitler did not have any, or Himmler, or Stalin. Maybe Mafia bosses do not have any guilt feelings either, or maybe their remains are just well hidden in the cellar. Even aborted guilt feelings...All men need guilt feelings.
Guilt for being rich, and guilt thinking that perhaps love and peace isn't enough and you have to go and get shot or something.
Punishment closely follows guilt as its companion.
Although the most acute judges of the witches and even the witches themselves, were convinced of the guilt of witchery, the guilt nevertheless was non-existent. It is thus with all guilt.
Death is not painful. It is the most beautiful experience you will have.
Everyone sees something different in 'Endgame': a biblical apocalypse, a portrait of painful co-dependency, a confession of guilt and dignity in the face of death, a night of baffling hopelessness, a meaningless babble. Each interpretation reveals an absurd truth - not about the play, but about the person watching it.
Death is our constant companion, and it is death that gives each person's life its true meaning.
The reasons that drive me to write are many and the most important are the most secret, I think. Perhaps most of all this: to put something out of death's reach.
Guilt -- if there was any guilt -- spread out and diffused itself over everybody and everything. . . . Perhaps at some point in time, at some spot in the world, a moment of responsibility existed.
You, the foreign media, have been the companion of my people in its long and painful journey to freedom.
The most painful and jealously guarded secrets are perhaps the ones that everyone around us knows. Stupid tragedies. Useless tears.
The one-sided exploitation of existential guilt is thought reform's trump card, and perhaps its most important source of emotional influence over its participants. Revolving around it are issues most decisive to thought reform's outcome.
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