A Quote by Coco Chanel

A woman has the age she deserves. — © Coco Chanel
A woman has the age she deserves.
We're here in this women's revolution - we're in this women's empowerment movement worldwide - and, if anything, women should stick up for each other and be like, 'No, she deserves everything she has, and she's worked hard as a woman.'
A woman who is convinced that she deserves to accept only the best challenges herself to give the best. Then she is living phenomenally.
The man who asks a woman what she wants deserves all that's coming to him.
And as husbands and fathers and brothers, we have to step up - because every girl’s life matters. Every daughter deserves the same chance as our sons. Every woman should be able to go about her day - to walk the streets or ride the bus - and be safe, and be treated with respect and dignity. She deserves that.
If you ever have the good fortune to meet Tippi Hedren, she's an amazing woman. You can't quite believe she is the age she is.
Woman must come of age by herself. This is the essence of 'coming of age'-to learn how to stand alone. She must learn not to depend on another, nor to feel she must prove her strength by competing with another. In the past, she has swung between these two opposite poles of dependence and competition, of Victorianism and Feminism. Both extremes throw her off balance; neither is the center, the true center of being a whole woman. She must find her true center alone. She must become whole.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
My first crush was at the age of 10, on Emma Peel in 'The Avengers.' She was a powerful woman, which I found very appealing. It had something to do with the leathers she wore: they made her look strong and almost masculine, which is what you like when you're that age.
A good woman must constantly resist alluring and deceptive messages from many sources telling her that she is entitled to more time away from her responsibilities and that she deserves a life of greater ease and independence. But with personal revelation, she can prioritize correctly and navigate this life confidently.
A man is commanding - a woman is demanding. A man is forceful - a woman is pushy. A man is uncompromising - a woman is a ball-breaker. A man is a perfectionist - a woman's a pain in the ass. He's assertive - she's aggressive. He strategizes - she manipulates. He shows leadership - she's controlling. He's committed - she's obsessed. He's persevering - she's relentless. He sticks to his guns - she's stubborn. If a man wants to get it right, he's looked up to and respected. If a woman wants to get it right, she's difficult and impossible.
No woman ever falls in love with a man unless she has a better opinion of him than he deserves.
Because there’s a clock attached to every beautiful woman. From the second she comes into her own, she begins to decline, because she begins to age. Aging is every beautiful woman’s kryptonite. And so, yes, it’s ridiculous and no, you don’t have much time and of course it’s not fair. Those three statements are the essence of beauty.
If you talk to a woman, she will give you at least five incidents in a day, 5-10 in a month, where she had to work harder to prove herself because she is a 'woman,' maybe at a male-dominated work place or when she has to come across as a smarter woman if she is good-looking.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
I believe in loyalty. When a woman reaches an age she likes, she should stick with it.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
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