A Quote by Coco Jones
I read a lot of summaries about the story [ based on the Cyrano de Bergerac. ]. I also watched Roxanne, the movie starring Steve Martin.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' - that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
Speak to me...be eloquent, be brilliant for me. Improvise! Rhapsodize!... I ask for cream and you give me milk and water... Please gather your dreams together into words. - Roxanne, Cyrano de Bergerac
Roxanne came along in '86, when I was doing a lot of stand-up. I auditioned for the movie, and of course I was a huge Steve Martin fan, so I really hoped I would get this part. I don't think there was any part in particular that I auditioned for. I just went in and talked with them. There were so many parts in there, and so many comedians ended up getting in that movie, playing different firemen and townspeople.
I'm also working on another independent film called Roxanne, Roxanne, about Roxanne Shante, who was one of the first African American battle rappers from Brooklyn. It is produced by Forest Whitaker and Pharrell [williams], so I'm really in great hands.
I always thought Cyrano De Bergerac was a coward. He could fight a hundred swordsmen, but he was afraid of his nose, and he was afraid of Roxanne. Jam as cowardly as anybody about facing my fears. So, you spend your you years as an artist fighting those hundred people that you happen not to fear. Then you wake up one morning and realize all this time you're afraid of your nose. That's what you're going to have to face for the rest of your life. And you don't feel very courageous. But, if you don't face it, you dry up as an artist.
Of all the roles I've done on the stage, I'm partial to Cyrano de Bergerac.
I realized afterwards that Mountbatten thought I'd be good for my husband. He was our Cyrano de Bergerac.
The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.
Americans stick their nose where it doesn't belong more than Cyrano de Bergerac giving head.
I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.
I'm not interested in stories about movie stars. I couldn't care less what Steve Martin has on his mind.
Why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?
I think when I got drawn to film, I didn't know it was a business. I mean, like most filmmakers, I probably saw more films than a lot of people when I was a kid. But I watched them on TV as well. I was no purist about it. I spent lots of time in movie theaters, but I also watched a lot of films on TV.
If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.
I really like the movie 'The Jerk' with Steve Martin.
When I was 15, I was asked to do 'Cyrano de Bergerac' at school, and it fundamentally changed my life. It's obviously an extraordinarily diverse and potentially electrifying part. It's a big leading part, and I hadn't really played anything like that before; I was the one doing the comedy side bit.
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