A Quote by Coco Lee
They cannot imagine what I'll sound like. But always when I'm done singing, people are very surprised.
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I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.
My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.
For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'
I picked songs that I've been singing my whole life that stuck with me. I tried to pick stuff that was a variety. And I think the same way I always imagine that people are going to play the record at their house and I imagine them doing stuff with music on, like the way I am.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
When I go to the cinema, I want to have a cinematic experience. Some people ignore the sound and you end up seeing something you might see on television and it doesn't explore the form. Sound is the other picture. When you show people a rough cut without the sound mix they are often really surprised. Sound creates a completely new world. With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue I think expositional dialogue is quite crass and not like real life.
They really can't imagine what my voice is like. Every time I sing a song, they are very surprised.
When I started to sing like myself - as opposed to imitating Nat Cole, which I had done for a while - when I started singing like Ray Charles, it had this spiritual and churchy, this religious or gospel sound. It had this holiness and preachy tone to it. It was very controversial. I got a lot of criticism for it.
My first experience with the arts must have been the sound of my mother singing to me when I was in the womb. The sound of my father singing to me when he held me. The sound of The Temptations records that they played.
Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.
When I was younger I was really shy, but I'd always be singing, driving my family crazy. Apparently I was even singing when I was in the cot. That probably didn't sound too good!
I feel like I was always singing. Since I could speak, I could sing. It came very naturally. In school, I was always singing in choruses and choirs. I always loved to sing; it was something to fun to do.
I don't know how to defend myself: surprised innocence cannot imagine being under suspicion.
I got to the point where I'd featured on songs; I'd done backing singing for major artists. I'd done all these shows, but it was always for other people.
And I'm always surprised when people have seen 'The Foot Fist Way', so when people bring that up, I'm always surprised that's reached other people besides my immediate friends.
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