A Quote by Coco Martin
My job is to act, whether in indie or mainstream films.
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It's really a great luxury to have, to be able to go from big films to indie films, too. Because I'm on the job learning as an actor, and independent films is where I'm learning to act.
It's a long process transitioning from indie to mainstream, and it's not that easy because it's a different environment when you are in the indie industry.
Ultimately, if you act in mainstream movies, more people will come and watch your indie movies. That's how you reach the audience.
I believe in Mexico there's a big culture of moviegoing, both studio and indie. I think here in the US that's not the case because Latino communities don't have access to indie films. If you go into communities of color you will only find the big theater chains which only play the blockbuster genre films.
The first film I ushered was Lynne Ramsay's 'Morvern Callar.' I started at 18. Best job in the world. Blockbusters, indie films, classic matinees.
My job is to be a role model, and that's what I want to do, but my job isn't to be a parent. My job isn't to tell your kids how to act or how not to act, because I'm still figuring that out for myself. So to take that away from me is a bit selfish. Your kids are going to make mistakes whether I do or not. That's just life.
Although several actors have worked in films down South, I feel unsure of whether I will be able to emote and act as exuberantly as I do in Hindi and Bengali films.
To get art nowadays, in cinema or books or anything, that grapples with the possibility of a meaningless universe... it just doesn't happen any more. In even the most indie of the indie films, everything has to come to some kind of neat conclusion.
The gritty indie films are a lot rarer than the films that aspire to fill multiplexes.
After 20 years and 250 mainstream films, I thought I should have in my library at least 50 films, films that will be talked about when I am no more.
I think indie films have more of a fresh, experimental vibe about them, whereas studio films know what they want and can basically get it.
When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.
I loved auditioning because it was just an opportunity to act. Whether or not I got the job was the next hurdle, but the idea that I would get to act that day was the thing that excited me the most about it.
What most of us must be involved in--whether we teach or write, make films, write films, direct films, play music, act, whatever we do--has to not only make people feel good and inspired and at one with other people around them, but also has to educate a new generation to do this very modest thing: change the world.
But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
Mainstream success is important - that's probably anathema to an indie publication like Pitchfork, but it's what I believe having experienced it personally.
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