A Quote by Coco Martin

I know how demanding show biz is. I fear that things would just end up bad if I'd date a colleague. — © Coco Martin
I know how demanding show biz is. I fear that things would just end up bad if I'd date a colleague.
The ultimate [act] that would be the taboo, to show how bad some villain is, was to have somebody being raped, you know? I don't really think it matters. It's the same as, like, a decapitation. It's just a horrible act to show that somebody's a bad guy.
Things end. People leave. And you know what? Life goes on. Besides, if bad things didn't happen, how would you be able to feel the good ones?
I had an awful first quarter but I picked it up. To all you single guys out there, it's not how you start the date, it's how you finish it sir. A lot of people can, you know, start the date with flowers and candy, but if you don't finish the date - you know what I mean?
Grown people know that they do not always know the why of things, and even if they think they know, they do not know where and how they got the proof. Hence the irritation they show when children keep on demanding to know if a thing is so and how the grown folks got the proof of it. It is so troublesome because it is disturbing to the pigeonhole way of life.
My fear is that if I date or marry an actor, we would end up talking about the same issues and we will deal with the same insecurities and apprehensions.
My big fear is that I'll put down so many people, I'll have to leave show biz.
I threw up again that night, half-afraid that my eyeballs would explode. But it was, by far, more important that I get rid of dinner. Of course, by then, throwing up was the only way I knew how to deal with fear. That paradox would begin to run my life: to know that what you are doing is hurting you, maybe killing you, and to be afraid of that fact--but to cling to the idea that this will save you, it will, in the end, make things okay.
You see, Hansel and Gretel don’t just show up at the end of this story. They show up. And then they get their heads cut off. Just thought you’d like to know.
When I come offstage, if I've done a bad show or had a bad night, the fact that everybody was standing at the end or three or four times during the show means nothing to me. I know I could have done a better show.
In my early to mid-20s, a fear of confrontation made it difficult for me to end relationships in a mature or even quasi-sane way. Instead, I would hang on resentfully, praying that my doomed beau would end things first and spare me the displeasure. To add hindrance to hang-up, the men I chose were usually just as stoic as I was.
You can't show up on set and expect it all to come together. You have to have a plan, much like how the director can't just show up and go, well, where should I put the camera? That is gonna determine how it is lit, you should have already been in the room looking at it earlier, pre-lit the room, you know there is a lot of prep that goes into it, so it is the same thing with acting. You can't just show up.
People get sucked into being so show-bizy. I mean this is show biz, but I just can't do anything that's not in my DNA.
How shall I sum up my life? I think I've been particularly lucky. Does that have something to do with faith also? I know my mother always used to say, 'Good things aren't supposed to just fall in your lap. God is very generous, but he expects you to do your part first.' So you have to make that effort. But at the end of a bad time or a huge effort, I've always had - how shall I say it? - the prize at the end. My whole life shows that.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
The theatre show-biz types don't change much, no matter what era we're in. The question of how you balance being in show business with your personal life isn't very different.
We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.
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