A Quote by Coco Martin

It's important that I know what I'm doing before I assume responsibility over something as significant as the actors' guild. — © Coco Martin
It's important that I know what I'm doing before I assume responsibility over something as significant as the actors' guild.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
I do extensive storyboards so people can get a sense of what we're doing, and what the attitude and tone is. I work a lot with the actors. I like to go to sets or locations with them before shooting so that they know what they'll be doing on the day. I have found actors really do like to know about blocking, etc., before the shoot day comes.
There's an inherent responsibility actors feel when portraying something that actually exists in the world. It's arguably something that not all actors would agree on because this is a craft, but for me, it's the emotion of what a character is going through that makes the performance what it is. We have a responsibility to bring those emotions to light.
I think people imitate actors - things they've seen in a movie or on TV, and before you know it, they're doing something with their face or their mouth. It's from some actor they think is cool. They might not even know they're doing it, which is kind of funny.
I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.
An actors most important responsibility is to know lines well.
Well, acting is cheap; I knew all these actors who weren't in the Screen Actors Guild yet, and it happened that they were all just about thirty years old.
I started doing documentaries in the first place because of the war. I always wanted to do feature films, and I studied directing when the war started, so I was working with actors before, in film and in theater. So I think it's easy to work with actors when you have a script that is clear, when they know what and why they are doing it.
I think that if you're doing something that's important, that's significant in your life, it takes some of the pain away.
The most important point to remember in developing self-confidence is to take responsibility for who we are. This empowers us. We can change anything, do anything, and be anything when we assume full responsibility for ourselves.
I went to an acting class for 3 years. But then I figured out that, since there were already 26,000 actors in SAG (Screen Actors Guild), I could make a better living as a stunt man.
People should realize that I shot a Coke commercial back in 1986. So, you know, I've been around a long time. I carry my Screen Actors Guild Card.
My family weren't actors, and we didn't know any actors. It wasn't even something I was aware you could do as a job. I thought you had to be a Redgrave or a Barrymore before you were allowed to go to drama school.
A lot of times, comedic actors are discriminated against. People just assume they can't do something other than what they do, rather than thinking, 'Oh, wait - doing what they do normally is really hard.'
The Screen Actors Guild numbers are frightening: Something like 90 percent of the roles are for men, 5 percent are for livestock and 5 percent are for women.
There are 100,000 actors in the Screen Actors Guild. Only 2,000 of them make more than $75,000 a year.
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