A Quote by Cody Johnson

It wasn't just Willie and Waylon, there were a lot of influences there. The coolest thing about this, is after getting to listen back to all these mixes is realizing that this record is like a bag of Skittles; every time you pull something out, it's a different flavor. But they're all Skittles. They're all Cody Johnson.
Life isn't all beer and skittles, but beer and skittles, or something better of the same sort, must form a good part of every Englishman's education.
I'm just not one of these guys who, like, you know, woke up with a six-pack. I need Skittles. I have to eat very particularly and I have to work out like a madman. And then it looks like... okay.
Growing up, I ate a lot of candy. If you were my dentist, you would know that, you know, but I eat a lot of candy, so from eight to probably, like, 15, you wouldn't see me without a pack of Skittles.
The first time I did a reading/signing thing at Cody's, the woman who did the introduction said something like that, and I wasn't the only one cringing. I remember looking out into the audience and seeing people's faces and people whispering to each other, and thinking like "Ugh, can we just cancel the whole thing? I can't go out there after she said that."
'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
It's like, backstage at 'SNL,' like, if you come back after a show or something, or a lot of times even at the after-parties, we're just pretty tired and like, 'Hey, what's up.' Just getting a drink and kind of chilling out. Nothing crazy.
Knocking the shrieking goblins aside like skittles
Life is with such all beer and skittles. They are not difficult to please About their victuals.
I think when you leave a band in any situation that you are a part of.. I mean, when I was with It Bites I was a quarter of something, and when I was with Robert Plant I was a sixth of some- thing and when you leave you become the whole thing. So just after you spend time realizing what you are, and it just happened that I was doing that in my life as well as musically, it kind of happened at the same time. I was getting to a point in my life where I was beginning to realize who I am, and I like me.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
I think I was like [a game of] skittles, knocked apart by this wooden ball, and there's a strength to that: you're not too self-conscious about what you're doing, so you're not too worried about it.
If I were to categorize what I sing, I have many different influences, and a lot of them are from back in time.
A big marker in my life was realizing you could record sound: I liked to make little recordings and then go back and listen to them. It becomes something outside of you then and you can listen to it objectively.
One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in - I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
I like Rice Krispie treats. I like Skittles and Snickers.
There were a whole lot, I bought every blues record I could find, it wasn't just one or two people. My vocal influences were Ray Charles and Bobby Blue Bland.
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