A Quote by Cody Lundin
Moral of the story: try to get things right, figure out what's going wrong with the scenario, and don't give up.
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Everybody has seen that I make mistakes. Every single album I have ever made is about love. But I am not going to give up. I have to look at what I do wrong. I rush in, I get swept up, I ignore the signs. But so many of us are guilty of these things. Each time it goes wrong, it's hard. I get really hurt but I have to let myself go: 'What did I do? What can I learn?' And as hard and as hurtful as things get, I want to believe I will be able to go one step higher. I've got to hope that if I keep going I will eventually get it right.
Sometimes I'll write without the guitar or the piano, but most of the time I'll be playing and just improvising some words. And when I get something that sounds good, a line with a story in it, I'll try and tease it out and figure out where the story is going.
Even in the minor leagues, I just said I'll get my little bit of time in here and then get out of here. I was going to try, though. I wasn't going to just give up. I was always going to try. I'm here. I figured I might as well try.
I've always been someone who likes to share and talk. When something happens to me I [don't] run away from it. I want to dive right into and explore it. Try to figure out why it's happening and try to figure out something good that's going to come out of it.
There are a lot of things going on that's causing a lot of these young kids to head in the wrong direction. I know a lot of kids that are cutting school. I try to give out a positive message, trying to get kids focused. If they don't then they're going to end up like every other hoodlum in the street.
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work.
When anything is pointed out, our only idea is to go from wrong to right; in spite of the fact that it has taken us years to get to wrong we try to get right in a moment.
It's like, what if you get a set of tires that aren't balanced right or a driveshaft that's vibrating. That could create a problem. You try to think of every possible scenario of what can make you uncomfortable and try to come up with a solution for it.
If you're going to figure something out, study ethics. You can ask What's the answer? What's Right and Wrong? What I learned is that nobody knows the answer and there is no Right and Wrong. So I'm incapable of becoming a fundamentalist because there are no absolutes, there's always a what if.
My job is to try to figure out how to fix things, and I'm going to fix things as best as I can. I'm going to get a team together to fix things. And I can't sit around and worrying what the heck the chairman of the Republican Party thinks about what I'm doing.
Eventually you're supposed to get so confounded by this whole thing that you just give up completely, and that's when it starts to work. Not give up the practice, but give up trying to figure it out.
I got to give mom credit for how she handled it.She didn't try to pry and get all the details. All she said was that I should try to do "the right thing" because it's our choices that make us who we are. I figure that's pretty decent advice. But I'm still not 100% sure what I'm going to do tomorrow.
You can't just decide to take the subject matter of The Bible and figure out you can just change what you want. I mean, the audience knows, and if you give them a Biblical story, you better get it right.
I try desperately to try and figure out how they'd react to different scenarios. That's part of what the DM's job is: to try and know their players well enough to where they can build encounters, challenges, and be like, 'I think they would do this in this scenario, so I will go ahead and prepare a few options based on this.'
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