A Quote by Cody Rhodes

It was just my sense being on the ground, doing four unique independents a week and then finally seeing how, at the ROH event, fans react to us as a group. I really see the sport trending upwards.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
There is nothing interesting about just seeing me doing the show then seeing the fans and how much people love me.
Generally speaking, ROH championship matches are hard fought and grueling, and the fans are really into it. The ROH Championship means a lot to me for those reasons.
I'm excited to see Cassie's fans and how they react to the ending of 'Clockwork Princess!' I love hanging out with readers and seeing the energy readers bring to a room: seeing so many people united in imagination is going to be wonderful.
I really appreciate ROH for letting me wrestle in the United States. American fans get to see me and get to see New Japan. Ring of Honor lets us do that.
The thing about how that process works is that it's more about the editing and time for judging the ideas. Most pieces I publish each week have been around for months. This is a response to the beginning of the strip, when I was making them so quickly. I would just conceive a piece, finish it, and then the next day see it in the paper. That was when I was doing dailies four days a week.
But as soon as I joined 'Six Feet Under', I felt like I was finally doing something again that the fans really loved, and I could stop being afraid of 'Clueless' fans!
As a player on the bench, you become like a fan really. You're sitting there shouting 'why did he do that?' or 'no don't pass it there' and I can see why fans get so frustrated. But then I remember what it is like being out there on the pitch and how players can't see everything that fans can see.
I think it's fun to fantasize about the idea of NXT and ROH butting heads and seeing which one will do better, especially with WWE looking at ROH guys to hire.
I was approached by Spectra Music Group, so that led to me finally releasing 'Safer On The Ground.' It really was just about putting all the dots together.
After you plant a seed in the ground, you don't dig it up every week to see how it is doing
There is some group of Americans who are really, really curious to understand how we ended up at this point, where every week it seems like you can turn on your TV and see some sort of abuse being heaped on black people.
I have an understanding of how much is at stake in football, how much money is at stake, how much investment there is and what it means to the fans. It's an emotional game. It's a focal point for communities. It's escapism for fans. Sport is a wonderful thing but it is just that: sport. It is my job.
We learnt a lot from doing Panto, actually back when we were still doing 'SMTV: Live.' We learnt how far we could push things and the show was all the better for that. I think that taught us you really have to know your audience because you could see how they would react to things.
A personal highlight was probably when we got a No. 1 in the U.K. and when the album went to No. 1 in America. The top four that week was us, Adele, Guns N' Roses and Bruce Springsteen. It was ridiculous seeing those names there. Being the first band from the U.K. and Ireland to go to America and debut at No. 1 is just unbelievable.
I've been working on my ground skills. Putting in there upwards of 3 to 6 hours a day dedicated to training. And of course part of it is groundwork, and being that I am a striker, ground work for me is more for positioning and striking on the ground.
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