A Quote by Cody Rhodes

When guys leave - whether they decide to leave or they're forced out - there's usually this period of time we see them around the world, and they can ride that WWE wave and use it, and then it goes away. It loses its luster after a few months.
I like to drop in on people who picked on me in high school or whatever, just out of the blue, and chat with them to see how they think of me now that I'm a big star. Usually they're a lot nicer. After about half an hour, I excuse myself to go to the bathroom, and leave a few DVDs or pictures there. Then when I come out, I say good-bye and leave. Then I call the cops.
I leave you love. I leave you hope. I leave you the challenge of developing confidence in one another. I leave you respect for the use of power. I leave you faith. I leave you racial dignity.
The reason I wanted to start directing is that as an actor I felt I came into a job late. There's a whole team of people who have been working on it for months before you start. You have this really intense period of filming and then you leave it, knowing that the director will work on it for another few months.
When I first started the show, I was known as the 'cop nerd.' I was in the 9th Precinct in the East Village every day. I'd be at work wearing a fake bulletproof vest with foam in it, then I'd leave and put on a real one to ride around with these guys.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
Education is the point at which we decide whether we love the world enough to assume responsibility for it, and by the same token save it from that ruin which except for renewal, except for the coming of the new and the young, would be inevitable. And education, too, is where we decide whether we love our children enough not to expel them from our world and leave them to their own devices, nor to strike from their hands their chance of undertaking something new, something unforeseen by us, but to prepare them in advance for the task of renewing a common world.
I leave at half-time; by then you can see which way it's going. If you ask me to name five of our team, I couldn't. There's that guy who scores goals - Taarabt. Routledge I've heard of. All bloody nice guys but I don't mix with them so I don't know them well. I don't go in the dressing room. They can walk out of the showers and I feel I've got an inferiority complex.
My audience is comprised of three categories. The first category contains the people who decide after the first five minutes that they've made a mistake and leave. The second category is the people who give the film a chance and leave annoyed after 40 minutes. The third category includes the people that watch the whole film and return to see it again. If I'm able to persuade 33% of the audience to stay, then I can say that I've succeeded.
Anyone can do shock value. Develop enough tension and cue the music right, then have something jump out: It's almost impossible not to jump in your seat. But that doesn't leave any effect on you when you leave the movie theater. To me, the best horror is psychological horror. The Exorcist, The Shining, The Omen, things that kind of stick with you long after you've seen them. It's what you don't see. It's letting the audience think a little bit, not spelling it out for them. Giving them credit for using their own imaginations rather than sticking in gags and tricks.
At 500, our policy is 12 weeks of fully paid leave for all parents in the U.S. Parents can choose to take this leave consecutively or spread it out through the first 12 months after birth.
As I travel around the country, I am inspired by leaders who know that offering paid leave - whether sick time or family leave - isn't just the right thing to do: it's essential to building an economy that works for everyone.
My father used to be away for months at a time, and he'd never leave any money for food, so my brother and I had to go out and nick it.
A lot of times, guys leave WWE or get fired by WWE, but there's always that little bit of buzz right when they get out on the scene, but like all buzz, it fades. But I feel really flattered that, for whatever reason, it seems to be trending upwards.
The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
I would go so far as to say that a painting is narrative, because I have the moment where I approach it and see it for the first time, and then I spend time with it, discover details and things I haven't seen, and then I have the moment when I decide to leave it.
For two months after Christmas vacation we limped around campus with muscles too tigh and sore to walk properly, yet we had no good idea of our goal. Without knowing what a real race was like, I couldn't judge whether it was worth all the preparation, but having put in so much time already, how could we back out? Quite a few Freshman did manage to back out. After Christmas several, when freed from faily practice, decided that they liked not feeling tired all the time. Most of them vanished without a word.
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