A Quote by Cody Simpson

I've always been interested in kind of doing the thing that you weren't necessarily recommended to do. — © Cody Simpson
I've always been interested in kind of doing the thing that you weren't necessarily recommended to do.
Sometimes what's recommended to the people is something different than what's recommended to the leaders, because I have been recommended to use hydroxychloroquine as a prophylaxis and the probability of this harming you is very low.
I don't know where my fashion sense comes from, exactly. I've always been interested in, not necessarily being unique, but not necessarily sticking to the preexisting paradigm - whether it be clothes or music or whatever.
I was interested in watching it; I wasn't interested necessarily in performing. So I'm grateful to kind of find that passion myself, as an adult, because it was really mentally strenuous, and I don't think I would have been mentally equipped for it, honestly.
My life has been the antithesis of that book 'The Secret'. I've always been interested in doing what I do. I love storytelling and I really enjoyed acting, but it never seemed like a realistic thing.
Ethics are not necessarily to do with being law-abiding. I am very interested in the moral path, doing the right thing.
I always like using different muscles, you can take that however you want. But doing something once a year is fantastic, I highly recommended it if you can do it. It's a wonderful thing, it's very freeing and I can put a lot of energy and attention onto it and it's something I love doing.
You know, for a long time I have been of the opinion that artists don't necessarily know what they're doing. You don't necessarily know what kind of universal concept you're tapping into.
To me, music and songwriting is... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words.
I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.
Basically, I’m not interested in doing research and I never have been... I’m interested in understanding, which is quite a different thing. And often to understand something you have to work it out yourself because no one else has done it.
You have a good heart and you think the good thing is to be guilty and kind but it's not always kind to be gentle and soft, there's a genuine violence softness and kindness visit on people. Sometimes self-interested is the most generous thing you can be.
I'm always interested in the way people speak and move in their environment, in a very particular environment. I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the any novel is a local thing always.
I love doing interviews that are about work that I do, films that I make. I am not very interested in the rest. I think I have always been quite reserved and a bit frightened of that whole thing.
I'm the kind of person who lives my art. It's not that I want to necessarily do it: it's that I have to. It's always been that way. That's how I write songs, and it's always been this way.
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.
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