A Quote by Cody Simpson
I found myself in a meeting on my 13th birthday, which I really had no idea the enormity of, but I was in a meeting with the CEO of Atlantic Records, who sort of signed me right then and there as I was playing guitar for him.
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Frankly, the president, during the first opportunity I had to be in a Cabinet meeting, before we started the meeting, he said, Folks, before we begin this meeting, I'm going to call on General Ashcroft and ask him invite the wisdom and presence of God in what we do. And I thought to myself how ashamed I'd been that so many times in my life I had entered upon great important tasks and I had cheated myself and those that I had served of a blessing.
Whoever invented the meeting must have had Hollywood in mind. I think they should consider giving Oscars for meetings: Best Meeting of the Year, Best Supporting Meeting, Best Meeting Based on Material from Another Meeting.
When you look at sort of pop stardom now, some of these singers, it seems like the idea of them was created in a marketing meeting, and then they just found someone to sort of fulfill that role.
I think meeting someone like, meeting Sam Shepard, that was someone who was kind of important for me, because I'd read so much of his work and watched him as an actor since I was a kid, then being on set doing a scene with him and thinking, 'This is really surreal.'
I've had the fortune of meeting most of the 'Kids in the Hall.' One meeting was special in particular because this was before I had gotten anything, before anything was clicking, and I just found myself hanging out with Scott Thompson.
I was organizing a fringe meeting at the Conservative Party conference in October 1994 and I got a message that the Prime Minister would like a meeting. I went to the meeting. It was just me and John Major.What Major said to me was this: "If you were in my shoes, what would you do?". He wasn't asking me what a unionist should do, but what he should do. And I knew that I had to give him a sensible answer.
On Friday I was in Washington for a meeting with Administration officials. In the course of that meeting, they requested that I 'step aside' as CEO of GM, and so I have.
On Friday I was in Washington for a meeting with Administration officials. In the course of that meeting, they requested that I "step aside" as CEO of GM, and so I have.
Once I graduated college, I did a couple of different sort of unique internship positions, if you will. I spent three months in my mother's office, who was then the CEO of our company, and I really got to just sit in every meeting that she had, and I would write down questions on a yellow legal pad.
The Meeting is actually like the Gunpowder Meeting, or some of the earlier American Quaker MeetingsThe long house form is something that was traditionthat's what I started with as an idea. But then making this in terms of the sizing and the use that was asked for by Live Oak Meeting- I mean it's a very traditional form, except it's convertible. The top opens, and it makes a sky space where sky is really brought down to you; your awareness of it is made quite different. It was a little bit of a novel idea, that it's a roof that opens.
I was out of work for, probably, about six months. I had a clear idea about what I wanted to do - I wanted to be in TV so I went to meeting after meeting after meeting. I had a six-month-old baby and a family to support.
I actually had the pleasure of meeting David Bowie at his 50th birthday party in New York City. I handed him the cassette of 'Eight Arms to Hold You,' which I had just got an advance of that day. He very graciously thanked me and tucked it into his jacket pocket.
When it comes to meetings and preparing for that, it doesn't matter if it's a meeting with the U.N.; with a large operator, CEO, or chairman; or if I have an internal meeting - in all cases, I know that the energy and the engagement in every discussion is extremely important.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.
What happened was I was a songwriter on Quincy Jones' publishing company, Qwest, for two and a half years before I gave him the song for Michael Jackson. He had a meeting with the songwriters. I think there were about six of us on the West Coast and we all had a meeting at his house where he sort of gave us an outline of what he wanted. To finish this BAD album Jones needed one more song to round out the album. I took notes and then I then took my notes to my writing partner Glen Ballard.
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