A Quote by Cody Simpson

I want to make music and that's it. — © Cody Simpson
I want to make music and that's it.

Quote Topics

When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.
Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music "for" their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that's the whole reason they fell in love with you in the first place.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
I don't want to make music alone in a dark studio and make me feel awful and depressed. I want to make music and feel happy and get to share it with people.
The goal is ecstasy, but I don't want to make some sort of saccharine pop music. I want to make something that's completely uncompromising: the best possible music ever made.
I just really want to make - to be cliche about it, I want to make pretty music. Like Roy Orbison or Elvis, man. Those guys made beautiful, tender music.
It's interesting because all I want to do is make music. I want to sit in my room, play the guitar, make beats, sing... And I have never made less music than when being a musician became my job.
I make pop music, but I do it on my own terms. I'll never play the game, so to speak, just for success. I'll always follow my heart and make the music I want to make.
It's remarkable how a soundtrack can be so important to the storytelling and the experience. I think the music is going to make people see the movie a lot. The music is going to make you want to go see it again. You have so much fun in the movie, and it's music that you want to share with your kids, anyway.
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
I want to make the music that people remember, and it doesn't need a trend; it doesn't need to be constantly hyped. There's no time period for it. That's the type of music I want to make.
I was in school for four years writing music to please my teachers. That was not music I liked. And when I make music that isn't for something I want to make, and it's to please other people, it's - the outcome is really bad.
I make music for people to feel happy with my music and the people that actually want to support me, that's all I care about. I care about the people that want the music. I make the music for them.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
I want to make music, I want to act, I want to sing, I want to do something that doesn't make my skin erupt.
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