A Quote by Coeur de pirate

The Bronx are great. I have a lot of respect for those guys, they know more about music and how that world works than most of the players out there. — © Coeur de pirate
The Bronx are great. I have a lot of respect for those guys, they know more about music and how that world works than most of the players out there.
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
There are lots of cases where we know more about how the world works than we do about how we know how it works. That's no paradox. Understanding the structure of galaxies is one thing, understanding how we understand the structure of galaxies is quite another. There isn't the slightest reason why the first should wait on the second and, in point of historical fact, it didn't. This bears a lot of emphasis; it turns up in philosophy practically everywhere you look.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
I'm a lot more sensitive about music, I think, than most other guys in this particular side of the business. Most of them are beat crazy and beat heavy. I'm more melody. I'm more musical than most of the other ones.
There's so many mysteries related to how flies are able to make their way through the world. I'd certainly like to know a lot more about how their brain works. I'd certainly like to know a lot more about just how they're put together. I mean, these animals are basically, topologically, spheres. They don't have bones as we do, of course.
I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.
The respect from my peers is what means a lot to me. The guys I go up against each and every night. You know, to have their respect, I think that's huge. And that's what I care most about, to have the respect of my peers.
I chose 'BronxWorks' because I'm from The Bronx, and I got raised in The Bronx, and I just know the struggle and how it is growing up in The Bronx.
I'm definitely more talented than most of the guys I know. A lot of guys who just want to have sex will sit with the same woman and try all night. I'm able to look at a woman, have a five-minute conversation with her, and tell if it's a waste of time or not. I figure things out a lot faster.
I've got a lot of respect for a handful of coaches, and there's a lot of great stuff put out there on film. So, I always want to stay up to speed on those current trends and figure out if you can steal something that fits your players and your system. I'm certainly not afraid to steal from some of these great coaches.
Ibiza is a popular vacation place for a lot of the players in Spain. If you go in the summer, there are some of the world's most famous movie and music stars, so nobody cares about soccer players.
There are certain guys that are obviously a lot more talented than myself and a lot of the other players in the league, but... once you gotta play against me, all that's out the window.
You're getting to know these guys as people, and as players. You have to develop a rapport. They give me a lot of respect.
I learned how music works dealing with Jermaine Dupri, and I learned how image works dealing with Puff Daddy. ... Singing is an acting role within itself...I've gone through a lot of trial and error to find what works and what doesn't. With that comes an understanding of how to offer the same opportunities to other artists. ... In my opinion the world is in need of real soul music. ... I'm a flamboyant type of guy, a cooler version of Liberace. ... I'm a younger Morgan Freeman. ... I've been working so hard, I'm about to have a Mariah Carey.
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