A Quote by Cole Hauser

My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost comes the work as an actor.
I never think of an actor as a model. A model wears what you tell them to wear, that's their job. An actor is different. It's important to work with the actor because in the end that's who the audience sees and that's the success that you need.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
My mother and father raised their eyebrows at first when I said I wanted to be an actor because I was in this industrial city. My dad had done a bit of boxing on the side, but he was a welder first and foremost. I was 17, and I said, 'I want to be an actor.' They worried it was a waste of time.
My job isn't about pursuing fame and then becoming an actor. It's about becoming an actor and if fame follows suit, that's fine.
My job isn't about pursuing fame and then becoming an actor. It's about becoming an actor, and if fame follows suit, that's fine.
For me, an actor is really, first and foremost, a person and an individual, more than they are an actor or a professional.
The audience basically likes complex characters, and bringing out the complexities is the actor's job. The audience doesn't have the script, the actor does.
The only tool we have as artists is selectivity. If you're a painter, you select the color, the lines, how severe they should be. As an actor you develop how angry you should be. You select how angry you should be. You listen to the other actor and then you react. In film, sometimes the other actor isn't even there. You have to play the scene. What I do is I call on my experience on the stage. I play the scene and I hope that I reach a certain level of integrity because that's what I learned on the stage.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
If you put anger in the writing, then it's like an actor crying on stage. The audience will not cry with the actor and in some way inure itself against the emotion.
I'm foremost an actor. I feel embarrassed being compared to the guys who really work at it. I fake it, I make believe I know all about it, which is what you're supposed to do as an actor.
I don't consider myself an actor, for me it's employment. Like the actor who's a waiter a lot, I'm an actor when I'm not on tour, in that that's a job I can do.
What we really have to do is stop the adjective before the job title - whether it's 'black actor,' a 'gay actor' or anything actor.
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