A Quote by Cole Hauser
I haven't really had any experiences, as far as having paparazzi sit outside of my house or following me around on the street. But, I actually don't really go to places where they do that, unless they knew where I lived or what kind of car I drive.
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Even when I was young I wanted to be an actress. I knew the actors and the paparazzi. It was just kind of always in my landscape. It was never directed at me, but it was always somewhere so I could see how it operated and I could see it from afar and go 'Wow, that's not really glamorous, it's kind of exhausting not having any privacy.' So it was never something I pursued. The first time I saw the billboard for Pretty Little Liars I almost got into a car accident!
Paparazzi will sit outside my house to see where I'm going, and when they see it's the studio, they'll be like, "This is boring," and drive off. But you'd never catch me dancing on tables in public. I have no desire to be known for my personal life.
I haven't really had any bad experiences coming out. No one's ever rejected me. There was me, running around in a sarong at the age of 16 - they probably knew.
Without even asking, the paparazzi is following me around and I'm like, "I'm just a regular girl from Philly. I don't know why you guys are following me. This is really weird."And then the entire world is ridiculing me for things I've never even done.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
What really kills me—it really rips me up—is when people think I’m abrasive, inconsiderate or ungrateful because I don’t go outside in a bikini and wave to the paparazzi. Come on!
The only thing you really have to practice is your ability. And this is something I do all the time. I try to teach my hand to do what I'm hearing in my head at any given second. I don't sit around and practice scales. I sit around and just try to make sure my hands are following what's coming to me.
You get pigeonholed. It's a kind of safety device for people who don't really want to look any further outside of the box, but I'm actually impregnable as far as what people say about me.
I don't think anyone really gets used to being recognized around the world. It kind of feels like a videogame at times, especially with paparazzi and people following you and things of that nature. But it's part of who I am now.
People see you on screen and they like you, but they never really get a chance to meet you. When you're doing music, you know you have to go sit at in-stores, and you're actually in the street, so there's more of a hands-on kind of thing.
What I've learned is that you really don't need to be a celebrity or have money or have the paparazzi following you around to be famous.
I'm self-taught. But I finally learned that they was having little shows or night dances or whatever you call them at little juke joints not far from where I lived, and I used to go there. They wouldn't let me play inside, but I could sit outside on the weekends, when it wasn't raining or something.
When I first moved to Los Angeles, I had a really bad run. I would sleep in my car during the day outside the Disney building in Burbank, and that's where I got my first job, which is really weird. I liked to stay around the studios and kind of get the good vibes going.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
I didn't work for a year after Wall Street. I finished that in November, and then it was the following October that I did Drive, so I took a year off. I didn't do anything at all, really. I just hung around.
I knew Bill Cunninghamn personally, in the way that most people know him - you don't really know that much about him. So I had never been in his apartment, as most people hadn't. I really had no idea how he lived. I knew he lived in Carnegie Hall, but that was it, and I didn't really understand. I knew that he worked hard, I just didn't realize that that was what he does, that's basically all he does
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