A Quote by Cole Sprouse

I had a really complicated relationship with acting for a long time. — © Cole Sprouse
I had a really complicated relationship with acting for a long time.
My parents were complicated people. They had a complicated relationship. My home was very, very complicated.
I think anybody who has had a long relationship and has had a really hard time letting go, wants to feel like it's not all for naught, and it's meaningful, because it makes you who you are.
I've had a relationship, a good relationship, with MTV for a long time, and I'd like to maintain that.
I've been very lucky. I come from a very close family. I'm also in a relationship that's been really good. Lasted a long time. We've got wonderful kids from that relationship, and they've had the benefit of being together. It's fantastic to have that sort of togetherness. It's a rarity these days.
At one point I had a very complicated plan to use the game of chess as a generating structure for writing. I prepared for a long time. I finally wrote two chapters and stopped. It was too complicated and too difficult to write. And who would've read it?
I'm a person who's been in a long-term relationship. It's not surprising that a lot of my friends - whether they're in same-sex relationships or not, whether they're married officially or just in a long-term relationship - have really interesting and various stages in their relationship. My life is looking at these friendships and saying, "Wait a minute, isn't this something really interesting? How can I explore this?"
Puerto Rico is complicated. The people are complicated. The history is complicated. The story of the United States' relationship to Puerto Rico is complicated.
By the time I went to Yale, I'd been acting for a long time and I was really tired of it. I was restless - and a little bored - and I was really eager to investigate different parts of myself.
After playing Saffy in 'Ab Fab', I needed to take time out from acting to see if I really wanted to do it. I had been doing it for a very long time and I was being sent the same sort of scripts again and again.
I have been doing this [acting] for a really long time, so I've come to expect things to take a really long time. You get to a place where you do your job and then you dust your hands off and say, "Okay, my job is done. Now, it's in the stars. We'll see what happens." There's nothing I can do to affect it.
Nineteen was the first time I really had a real relationship, really fell in love, really had my heart broken, really broke her heart, and sex meant something a little bit different.
I want a career and the thing is you really have to love acting. I didn't just fall into it and it wasn't just something I was good at. I've had to really work at this. I've had to fall on my face time and time again. You get 'no' 99 per cent of the time and a 'yes' just once.
When I started acting, I had a really strong discipline of knowing that you had to be on time, knowing that you had to work 12 to 16 hours a day, knowing you had to be prepared, knowing you had to be ready, and it's very interesting because if you're an artist and you're creating, you can work very, very long hours but as you're putting out that love of creation, it's almost like you're charged by it, you're charged by the process of it.
While I have always had a good relationship with my father, much of the time it has been a very limited relationship until I was older. So you can't really give him credit or blame for how I turned out.
I think Tolstoy had an unbelievably complicated relationship with women.
I have a difficult relationship with jazz. My parents really love it, and I went to a school where jazz was considered the best thing ever, so I had to leave it be for a long time. But now I'm rediscovering it. I'm approaching jazz in a different way.
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