A Quote by Cole Sprouse
If we were writing what the fans wanted to see, Betty and Jughead would be the most linear, monotonous narrative of all time.
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I love Archie. I love Jughead. I like Reggie. I think my favorite character in the show is Betty. Obviously, I can't imagine myself playing that character, but if I had to choose a character, I really love Betty.
In documentary you sometimes see the tyranny of the linear, but what I've noticed in the last ten years in narrative film is the tyranny of the non-linear.
I had a very linear story line for this particular play, and I wanted to open the piece up a bit, so I started doing that with my writing. I would describe fragments of scenes on index cards, then move the card around to see how it changed the piece.
I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
I think those walks to the studio were the most enjoyable times for me, because I could get lost in my head and think about what I wanted the album to sound like as I was writing. For the most part, it was great to have all that time alone writing the songs.
When I was between the ages of five and nine, the soldiers of the Second World War wanted to have Betty Grable, but I wanted to be Betty Grable. She was the epitome of an alluring woman; she had it all as far as I was concerned.
There's a definite rift in 'Riverdale.' There's a civil war between the Southside and the Northside. And Jughead being on the Southside and Betty's on the Northside, it becomes a bit of a 'Romeo and Juliet' situation.
Writing 'Jughead' in general is a pleasure because - and I think a lot of very tall guys can agree with me on this - there was a time in my teenage years where I just ate all the time and never got full.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
My idea in terms of managing a narrative, or in thinking in my creative life, is that you could easily argue that the past, the present and the future all occur simultaneously, and if you can postulate that, then you're not strictly bound to a linear narrative.
I think I've had pretty good experiences for the most part with the people who have directed my screenplays. It's more that I wanted to see what it would be like if I didn't have to collaborate with anybody, to have a sense of purity of the thing from beginning to end. I liked doing it. It's really different from writing. Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.
What's disappointing about @usopengolf is the fans not being about to walk around the course/get close enough to most of the greens to cheer. Fans are having a hard time walking the course. They can barely see anything from outside the ropes. I would be pissed if I paid a lot of money for tickets and could barely see the top players hit golf shots.
At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.
There's a studio formula of making a movie that Betty White fans and Ice Cube fans are going to love, so it's a really broad brush.
I auditioned [for America's Most Talented Kids] just to see where I would rank. I had been playing [gigs] around town, and I wanted to see what people thought of me because when I played a show, everyone would clap but I didn't know what they were really thinking.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
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