A Quote by Cole Sprouse
My background with acting is deeply interwoven with my family life and my childhood. It's a 'Peter Pan'-like narrative, something that was golden but could also be a bit dubious.
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I heard my name associated with the Peter Pan syndrome more than once. But really, what's so wrong with Peter Pan? Peter Pan flies. He is a metaphor for dreams and faith.
There are two metaphors for Mario the person and not Mario the footballer. I think I am a man, but I don't believe I need to say it. But I could also be Peter Pan because I do things my own way and I am free. So, yes, maybe I should say that I am Peter Pan - although I am much more of a man.
'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.
When I wrote 'The Shadow Thief,' I had an obsession with Peter Pan. I get focused on things. In fact, I was an absolute horror to live with at that stage. I had a big fight with my mum because I wanted her to change the windows so Peter Pan could visit me.
All over the walls of my room are pictures of Peter Pan. I've read everything that Barrie wrote. I totally identify with Peter Pan, the lost boy from Never Neverland.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
When I was about six or seven, I did this character reenactment performance where I read a monologue from 'Peter Pan.' I got into a complete Peter Pan outfit and did a little paragraph from the script - and I ended up winning an award for it.
I am Peter Pan. He represents youth, childhood, never growing up, magic, flying.
I love acting, but that's also kind of what I love about ballet - the acting. So, obviously, film is like an extension of that, which is amazing, but it's also something I can do a bit later on as well.
I got stuck on the Peter Pan ride when I was nine years old with my dad at Disney World. We got stuck on that part of the ride when you're suspended in the pirate ship above the miniature London, and I was fascinated by the why of it all. 'Why is Peter Peter Pan, why is he in Neverland, how did he learn how to fly, etc.?'
We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don’t usually serve us up whole scenes complete with dialogue. So I suppose I’m saying that I like to work from what a character is likely to remember, from a more interior place.
It says, I think, that at root that we're children, or we'd like to be. And the best of us each keep as much of that childhood with us as we grow into adulthood, as we can muster... And even after we're past the point of being able to play the game with any skill, if we love it, then it's like Peter Pan - we remain boys forever, we don't die.
I've always had a desire to write something and capture people's imagination like Peter Pan had captured mine.
[Peter Pan] has never broken his terrible habit of eavesdropping. So, maybe that wasn't the rustle of pages you heard while this story lasted, but Peter Pan himself, listening in. In exchanged for a story of yours, he might show you his most prized possession: James Hooks' map of Neverland. In exchange for a smile, he may show you Neverland itself.
I'm so excited to be appearing in 'Peter Pan.' It really is an extraordinary production, the like of which Wembley has never seen before. It's a big, bold arena extravaganza and festive treat with something for everyone.
For any of you who don't know, the Golden Globes are just like the Oscars, but without all that esteem. The Golden Globes are to the Oscars what Kim Kardashian is to Kate Middleton. A bit louder, a bit trashier, a bit drunker, and more easily bought.
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