A Quote by Cole Swensen

My focus is on the rhythmic relationship between body and ground and the visual relationships among the elements of the always-changing scene. — © Cole Swensen
My focus is on the rhythmic relationship between body and ground and the visual relationships among the elements of the always-changing scene.
Mysteries always have the potential for interesting connections between the elements. I'm also most interested in the relationship between the characters. As in 'Masterpiece,' I'm trying to create characters who not only are solving a mystery but are solving the riddle of their own personal relationships.
I believe rhythmic sensibility is always a product and extension of language, defined broadly, among other things. But it is an immediate product and extension - no time elapses between the exposure to language and the creation of rhythmic sensibility.
I'm always interested in relationships between women. I'm always interested in how women relate to each other, whether it's a family relationship or it's a friend relationship. That's such uncharted territory in cinema.
Unfortunately there are some trends that are changing this but you don't have for example as strict and narrow understanding of the relationship between men and women. And then there is the philosophy we have to extract in the relationship between text and culture.
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
I think what 'Shameless' does well is highlight real relationships. And in any real relationship, there are ups and downs and elements that change the dynamics of the relationship.
Anorexia was my attempt to have control over my body and manipulate my body and starve my body and shape my body. It was not a very good relationship. It was the sort of relationship my father had to my body. It was a tyrannical, "you'll do what I tell you" relationship.
It may be true of all relationships, not only between fathers and sons, but between men and women. Nothing seems fixed. Everything is always changing. We seem to have very little control over our emotional life.
Understand that relationships are more important than contracts. Business deals are relationships between people. The signed piece of paper is important, but it's merely the result of the relationship, not the cause. If the relationship crumbles, the contract won't save you, although it could be very lucrative for your lawyer.
What I've found in doing research is that men want a relationship that feels fun. In other words, they want a relationship that has qualities or elements of their same-sex relationships - just like women do, too.
The image a society evolves of the relationship between the living and the dead is, in the final analysis, an attempt, on the level of religious thought, to conceal, embellish or justify the actual relationships which prevail among the living.
I simply know what the actor's attitude should be and what he should say. He doesn't, because he can't see the relationship that begins to exist between his body and the other things in the scene.
It can be the best of relationships and the worst of relationships - often at the same time. The bond between a mother and daughter is one of the strongest, but it's also among the most complicated.
You have a great body. It is an intricate piece of technology and a sophisticated super-computer. It runs on peanuts and even regenerates itself. Your relationship with your body is one of the most important relationships you'll ever have. And since repairs are expensive and spare parts are hard to come by, it pays to make that relationship good.
Educating the masses was intended only to improve the relationship between the top and the bottom of society. Not for changing the nature of the relationship.
I like being in focus, in the moment, changing and adapting and creating and advancing a scene.
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