A Quote by Cole Swindell
I was a business major, but the more I played music and the more I got into songwriting, I realized this is what I loved, but I kept asking myself, 'Is this what I'm supposed to do - move to Nashville?'
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I think Americana music is music that is generally more singer/songwriter oriented. It has more to do with the songwriting. The music, it's more like stories set to music.
When I moved to Nashville, I didn't really let myself sonically explore, but things naturally got a little more poppy. And in L.A., even more so.
I'm openly gay, and I've got a major label record deal in Nashville, and it happened when I was 42 years old. It's not supposed to happen that way.
Most people in business and within their personal lives move towards complexity. More To Dos. More projects. More products. More meetings. More possessions. More goals. The best - I suggest to you - move in the opposite direction.
... coming to a place like Nashville, which is just music music music, it's always been such an influence on me. And there are so many interesting songwriters out there, and it's such a crazy business and so many people are trying to do it, and it's all right there in Nashville.
I wanted to play running back, but they would never put me at running back. I started loving receiver and as I kept growing older, we kept throwing the ball more and I kept liking it more and more. It's something I've played all my life. It's something I've gotten better at each year.
The more I lived with Jan, the more I loved her, the more I made her miserable. It was a vicious cycle (page 209)……The more I loved her the more I hated her. And the more she loved me, the more I harmed myself (page 269).
When I came to Nashville, I was sort of experimenting with a new identity, experimenting with the country world and country writers. I realized I needed to take a step back from that, to be true to some of the music I've been doing over the years and to put that into the world before I move forward and redefine myself again.
Vangelis, who wrote the music for 'Chariots Of Fire,' is a bit of an idol of mine - his music is stunning. So when I got a call from my manager in the 90s asking if I'd like to do some songwriting for him I couldn't believe it.
I realized the more I made the music for myself, the more successful I was becoming.
When I got to Nashville, people started asking me about how I got into country music. I'd tell them I came from a place where people wore cowboy hats for a real reason.
I wanted to be great. And I loved Nashville, so that made it easy. I loved the music business. It made it easy for me to stay and make a life here.
Everyone has their own path in life, no matter if it's being a celebrity or a singer. Quite frankly, I didn't move to Nashville and tell myself I wanted to be a singer because I wanted to be a celebrity or I wanted to be somebody that people admired. I wasn't about that. I just loved music.
It's hard for me to see myself as meaningful, but people seem to like my music, so who knows. Maybe my music is empowering some more young women to pick up songwriting/playing.
The career I chose was a drama major in college, at Yale, when I played a 90-year-old woman. One of my most celebrated roles. Then I played a really fat person. I played a lot of different things. That's how I thought I loved to wrangle my talent, my need to express myself. I like to do it that way.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
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