A Quote by Cole Swindell
Even though I lost my dad in just a tragic, sudden way, there are so many more stories that are so much worse.
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As many know, and especially those who may have young sons or daughters at colleges or universities, the last thing you want to hear is a call that perhaps one of your children was injured or, even worse, lost their life in a tragic fire at a dorm or campus housing.
I've played a mother many times, even in tragic things like, "I Dreamed of Africa," so I know how it is to lose a child cinematically. I have so much compassion on so many fronts, for women who have lost children or tried for years and couldn't have them.
I thought, 'Let's make it a check list. What if I got my education even though I lost my mother, even though my dad is in a shelter?' and looking at these things as hurdles to go over. I could inspire myself.
The most common characteristic of women's history is to be lost and discovered, lost again and rediscovered, lost once more and re-rediscovered - a process of tragic waste and terrible silences that will continue until women's stories are a full and equal part of the human story.
Discovering that with every child, your heart grows bigger and stronger - that there is no limit to how much or how many people you can love, even though at times you feel as though you could burst - you don't - you just love even more.
There's many, many people who have been through a lot worse things than I went through. I lost my dad when I was 14 and to violence.
I feel different. You know this many times over, because you are a parent, but it transforms you. It's this incredible experience where, in one way, you are still very much yourself, and in some ways you become even more connected to the rest of yourself. All of a sudden, you just get more connected to your child self, and your teenage self, and all these selves that you've maybe been abandoning at every date post that you pass.
Even though I was super personal with 'American Teen,' I want to tap in and not just tell my own stories but tell the stories of other people - so that I can help as many people as possible.
Stories move in circle. They don’t move in straight lines. So it helps if you listen in circles. There are stories inside stories and stories between stories and finding your way through them is as easy and as hard as finding your way home. And part of the finding is the getting lost. And when you’re lost you start to look around and to listen.
I just think that a much more important part of the problem we face, which was evident 10 years ago and is even more evident now, is that the way we share information among ourselves as American citizens has been radically transformed. The line between news and entertainment has almost dissolved, where ratings now have a big impact on what kinds of stories are covered and not stories.
I'm really interested in trying to tell stories about women that don't involve romantic components. That's so much a part of the way we feel about female characters and their needs that it feels like it's built in - but I'd like to find a way that it's not. There are so many more stories than that.
The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.
We had so many firsts on 'Coraline' that I couldn't quite see where we'd go from there, but for 'ParaNorman' we developed this 'skewed naturalism' that marries a lot of intricate detail with a more cinematic approach, then just built on all that and pushed those techniques even further, so we can tell our stories that much more effectively.
But there is just no way to adequately prepare a 10-year old for the sudden loss of a much-loved father. It was a confusing time, with many painful moments.
But Hale didn't follow. For a second he just stood and stared out over his empire. It was like he was lost in a dream when he said, "So, your dad broke into the patent office." "Yep," Kat told him. "How many goats am I going to owe him for that?" "More than you've got, big guy. Way more than you've got.
When money is lost, a little is lost. When time is lost, much more is lost. When health is lost, practically everything is lost. And when creative spirit is lost, there is nothing left.
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