A Quote by Cole Swindell

I wanted to get better at writing, so I knew I needed to move to Nashville. — © Cole Swindell
I wanted to get better at writing, so I knew I needed to move to Nashville.
When I left college, it broke my mom's heart, but I knew I had to be in Nashville. I knew that was the place you had to be in to become a better songwriter, and that's what I wanted to move there for and to ultimately get a record deal.
I knew what I wanted to be, but I didn't know exactly how to get there. I thought you move to Nashville, you sing downtown, and someone discovers you, and you become a country music star. I had no idea.
I wanted to become a better songwriter, so it seemed like a no-brainer to move to Nashville, where some of the best writers in the world live.
I always knew that I wanted to work and I knew I wanted to be a singer and an actor. I knew that every choice I made would help me get to that point. So the better the choices I made, the more of a chance I would have to get to where I wanted to be.
My grandparents really wanted me to go to Harvard. They thought that was writing your ticket for the future. How could I turn that down? But my mom knew I needed a balance. She knew that I loved basketball.
I definitely felt the desire to, like - I definitely knew there was an elsewhere. I definitely knew that, like, if I were going to be free, I needed to be away from, kind of, like, Nashville and kind of get out of the South and get out of the country.
I wanted to be self-sufficient, I wanted to take care of myself, and I wanted to learn. I wanted to travel, I wanted to see the world and have my eyes opened. I wanted to be consistently challenged, and I knew I needed to be creative in some way. When I got my job in a bar and I could pay for my tuition and go on auditions and sometimes get jobs that I loved and pay my rent, I knew that I would be all right. That's when my dreams came true, long before the telephone rang and someone said, 'Come and meet Tom Cruise'".
We were one of the hottest bands in Jersey, but I was burning up because I knew I'd never be a star in Newark. I knew the action was in Nashville and that's where I wanted to be.
I had a drummer I really wanted to move to Nashville with me, and he's like, 'Naw, I can't go, man.' He never could pull the trigger. It's a big move. You just gotta be diehard - you gotta give it your all, you know.
Everyone has their own path in life, no matter if it's being a celebrity or a singer. Quite frankly, I didn't move to Nashville and tell myself I wanted to be a singer because I wanted to be a celebrity or I wanted to be somebody that people admired. I wasn't about that. I just loved music.
When you go to Nashville and start co-writing, you start doing it as a job and the more you do it the better you get. You know if you build houses for 30 years you're better than you were the day you started. You know the ins and outs, you know all the nuances.
I think going into 'New Moon,' I knew the characters better. I knew the world better and I knew the actors who would be playing these roles. I had a sense of their rhythms and tones. 'Twilight' I was writing in a vacuum. We hadn't cast it yet.
All I knew when I moved to Nashville was that I wanted to make music in whatever shape and form I could.
After my first year, I knew exactly what I wanted to do, what I wanted to get better at, and how I was going to do it.
As far as in my adult life, it kinda started (with) writing first 'cause I went to school in Nashville. I mean, not Nashville but close to Nashville, and I met my managers in L.A. at a convention randomly. And then, it kinda just started from there. And then, I got my publishing deal.
I knew that I always wanted to keep making music, but I knew that comics needed to be a part of my life.
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