A Quote by Coleman Hawkins

You can separate the men from the boys and ballads. — © Coleman Hawkins
You can separate the men from the boys and ballads.
There have been other tracks that separated the men from the boys. This is the track that will separate the brave from the weak after the boys are gone.
In a crisis, you separate the men from the boys.
as all women know, there are really no men at all. There are grown-up boys, and middle-aged boys, and elderly boys, and even sometimes very old boys. But the essential difference is simply exterior. Your man is always a boy.
... the socialization of boys regarding masculinity is often at the expense of women. I came to realize that we don't raise boys to be men, we raise them not be women (or gay men). We teach boys that girls and women are "less than" and that leads to violence by some and silence by many. It's important for men to stand up to not only stop men's violence against women but, to teach young men a broader definition of masculinity that includes being empathetic, loving and non-violent.
Women are more evolved biologically and emotionally, that's well known and it's obvious. But they confuse sex and the spirit; they don't separate. Men, as you know, always separate: they separate their human and dog natures.
Washington is a city of locker-room boys, and all the old, outmoded notions apply: men and women are ushered to separate rooms after dinner, sex is dirty, and they are still serving onion-soup dip.
I call on men and boys everywhere to join us. Violence against women and girls will not be eradicated until all of us - men and boys - refuse to tolerate it.
The argument that 'boys will be boys' actually carries the profoundly anti-male implication that we should expect bad behavior from boys and men. The assumption is that they are somehow not capable of acting appropriately, or treating girls and women with respect.
From all the years that I've been in the business, you know that ballads are what impact. Mid-tempos are great, you can sell some records on 'em, but when it comes down to it, ballads are the meat-and-potatoes on the album.
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
My favorite type of music to sing is definitely those big ballads, I just love doing those power ballads.
I dated someone in the '90s who was really into Metallica, and I remember thinking at the time, 'That just sounds so heavy and hard.' But they have great ballads! Great ballads.
But the dream is never forgotten, only put aside and never out of reach: Where once the dream connected boys with the world of men, now it reconnects men with the spirit of boys.
I prefer men to boys. To clear it up, it's not about an older or younger thing. It's a mindset, not age. There are 18-year-old men out there and there are 40-year-old boys.
A boy is a piece of existence quite separate from all things else, and deserves separate chapters in the natural history of men.
The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.
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