A Quote by Coleman Young

Swearing is an art form. You can express yourself much more exactly, much more succinctly, with properly used curse words. — © Coleman Young
Swearing is an art form. You can express yourself much more exactly, much more succinctly, with properly used curse words.
I rely on swearing just to communicate emotion, but I wanted to express the same feelings [in song] without using curse words.
There is no such thing as too much swearing. Swearing is just a piece of linguistic mechanics. The words in-between are the clever ones.
Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process.
Stand-up used to be much more of a form combat. Heckling was much more common [in the '90s]. And I couldn't get stage time, and so I would go out to Pip's in Sheepshead Bay.
In dialogue scenes, my favorite moments are when people aren't talking because you can cut to the heart of the matter much more quickly, often with a look. People hide things in words. When you don't have words to hide things in, it becomes much more direct and much more immediate of a connection.
It is an art of no little importance to administer medicines properly: but, it is an art of much greater and more difficult acquisition to know when to suspend or altogether to omit them.
I think Picasso was someone who took art's powers of consuming, its powers of much-ness and multiplicity, and used that to his fullest extent. That's something that was permitted to men, obviously, much more than women, but was also permitted in the past much more often than now.
When you think things are bad, when you feel sour and blue, when you start to get mad... you should do what I do! Just tell yourself, Duckie, you're really quite lucky! Some people are much more... oh, ever so much more... oh, muchly much-much more unlucky than you!
Allowing another to be as they are is more what I think of as "space." The space to express yourself and know that you're going to be accepted. That's more where I go than with the actual physical logistics of how much time you have together and how much time you have apart.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
On the stage, the characters express themselves more through words than images. So the arguments of the characters and the tension between characters - words have to be used to express that, and I love that about theater.
I loved him very much - more than I could trust myself to say - more than words had power to express." - Jane Eyre
I was never much of a musical theater guy, but I have so much more respect for the art form, the physical exertion of doing eight shows on Broadway a week, I cannot even fathom it.
Skateboarding is as much, or more, an art of mode of expression than it is a sport. What skateboarding has given me is precisely that: a form of expression that drew me to it, and, in so doing, I was able to express and be who I wanted to be through it, in a sense.
The more words you have at your disposal, the more precisely you can express yourself.
For - to say a few words on technique - whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.
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