A Quote by Colette Dowling
Relationships are like a dance, with visible energy racing back and forth between the partners. Some relationships are the slow, dark dance of death.
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I was always too afraid to slow dance. But I do remember watching people slow dance. I was the guy on the sidelines. At the school dance, I was usually in the band, playing.
Invitation to Dance- It’s a Dance. And sometimes they turn the lights off in this ballroom. But we’ll dance anyway, you and I. Even in the Dark. Especially in the Dark. May I have the pleasure?
Directing a movie is a little bit like being back in student government and putting on the homecoming dance. You're like, 'You put up the streamers, and you hire the DJ, and you get the punch bowl.' Some people are just like, 'This dance sucks.' And you're like, 'No no, this dance is awesome!' You have to be really positive.
When I dance with him, one of my great loves, he is absolutely human, and when he turns to dip me or I step on his foot because we are both leading, I know that one of us will die first and the other will suffer. The slow dance of what’s to come and the slow dance of insomnia pouring across the floor like bath water.
Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!
Where wildness and disorder are visible in the dance, there Satan, death and all kinds of mischief are likewise upon the floor. For this reason I could wish that the dance of death were painted on the walls of all ball-rooms in order to warn the dancers, not by the levity of their deportment, to provoke the God of righteousness to visit them with a sudden judgment.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
That is what they call being reconciled to die. They call it reconciled when pain has strummed a symphony of suffering back and forth across you, up and down, round and round you until each little fibre is worn tissue-thin with aching. And when you are lying beaten, and buffeted, battered and broken - pain goes out, joins hands with Death and comes back to dance, dance, dance, stamp, stamp, stamp down on you until you give up.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
I will dance and resist and dance and persist and dance. This heartbeat is louder than death.
Mentors and apprentices are partners in an ancient human dance, and one of teaching's great rewards is the daily chance it gives us to get back on the dance floor. It is the dance of the spiraling generations, in which the old empower the young with their experience and the young empower the old with new life, reweaving the fabric of the human community as they touch and turn.
Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars...' Death had ruled my life till I met Lady Dance. Her dance had set me free.
When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.
All of marketing consists in creating relationships. Real relationships: friends, lovers, partners, warriors, fans.
Twerking takes its place in a long line of dance moves deemed immoral, even apocalyptic. The waltz was called sinful because it demanded dangerously close contact between dance partners. In 1914, the tango earned a papal denunciation for being 'damaging to the soul.'
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