A Quote by Colin Camerer
Caltech is a very adventurous place. Part of the culture is that we tolerate people doing things that seem impossible, and also synthesizing and borrowing ideas across very kooky and unusual boundaries.
Related Quotes
I think it's important to keep things private, and there are certain boundaries I feel very particular about drawing. It may seem fastidious, but my experience of talking to the press is that I need those boundaries to remain very clear.
No doubt that anarchist ideas are frightening to those in power. People in power can tolerate liberal ideas. They can tolerate ideas that call for reforms, but they cannot tolerate the idea that there will be no state, no central authority. So it is very important for them to ridicule the idea of anarchism to create this impression of anarchism as violent and chaotic. It is useful for them.
People have responded to the pictures I make as mystical things, and they somehow carry the illusion further thinking that the place is this mystical, magical place. The desert is also a very barren place, a very lonely place, a very boring, uneventful place.
We are in favor of tolerance, but it is a very difficult thing to tolerate the intolerant and impossible to tolerate the intolerable.
It takes a number of different skill sets, I think, to try and be a good producer. You have to be very creative, but you also have to be incredibly financially minded. I jokingly say the job is kind of part cheerleader and part dictator. It is both of those things, because you have to make sure that people are doing what they need to be doing, but creatively you really need to be helping each person in every job across the crew. Cheering them on, keeping them inspired into doing their best work, and you have the director's vision in the forefront.
I practiced drawing all the time and became very interested in it. If I was at a meeting that wasn't getting anywhere - like the one where Carl Rogers came to Caltech to discuss with us whether Caltech should develop a psychology department - I would draw the other people.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.
Working with family is probably one of the hardest things in business, but it can also be one of the most rewarding. You have to be very, very careful that you don't overstep the boundaries that you wouldn't with anyone else. Sometimes, we think that the unconditional love they have for us makes overstepping boundaries alright. It's really not. You have to work harder to not damage the family dynamic. That lasts forever.
When I arrived in Manchester for the first time, it took me five seconds to realize that it was a very different place than where I come from. It is cold, yes, but people also do things very differently than we do in Nigeria. The culture was different, and everything looked different.
Self-censorship has become a part of me. I think because we live in a place where community is very important, family is very important, you feel the weight of how people look at you. Even though I might seem very modern and very liberated, I still have a lot of issues to deal with. I'm scared of how people look at me.
Political correctness is the fascism of the 90's, it is this rigid feeling that you have to keep your ideas and your way of looking at things within very narrow boundaries or else you'll offend someone. Certainly one of the purposes of journalism is to challenge just that way of thinking, and certainly one of the purposes of criticism is to break boundaries, that's also one of the purposes of art.
I grew up in a family that my father was a very, very, a person with so many ideas, so many new visions and dreams. For me to grow up in that family, that also helped me to have a vision to create and open boundaries and things. So I think it's like, it just comes from the family.
I am grateful to my colleagues at Brandeis and to the unusual environment here that allows researchers to explore without boundaries while also engaging students in the process of discovery. This is a very special - perhaps unique - university.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
I want to explore new ideas and put myself in a place where I can finish a project that is more unusual or that doesn't seem doable.
I love coming to D.C. I think it's a very unusual city. It's so fascinating that it's this weird place that everything thinks of as the capital of the country, there is so much international business, political stuff that is connected to that part of the country that it has a very charred atmosphere.
Related Authors
Adam Smith Quotes
Scottish
Economist
Alan Greenspan Quotes
American
Economist
Benjamin Graham Quotes
American
Economist
Friedrich August von Hayek Quotes
Austrian
Economist
John Kenneth Galbraith Quotes
American
Economist
John Maynard Keynes Quotes
English
Economist
Joseph Stiglitz Quotes
American
Economist
Ludwig von Mises Quotes
Austrian
Economist
Milton Friedman Quotes
American
Economist
Muhammad Yunus Quotes
Bangladeshi
Economist
Murray Rothbard Quotes
American
Economist
Paul Krugman Quotes
American
Economist
Richard Thaler Quotes
American
Economist
Robert Reich Quotes
American
Economist
Thomas Sowell Quotes
American
Economist
Walter E. Williams Quotes
American
Economist