A Quote by Colin Donnell
I may have gotten my first job from 'Backstage.' I remember going to the Equity offices, and I signed up for an audition. I left. I was grabbing a coffee somewhere and looking at 'Backstage' and saw that there was an audition for another project going on at the same time. It was called 'Almost Heaven: The Songs of John Denver.'
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I got my Equity card from an audition out of Backstage. We did 'Guys and Dolls' and 'Kismet.'
I remember going to the audition for 'Corrie.' I wasn't an actor - what they're often looking for in these rooms is a character, not what's on the page. They want to see what you are going to bring. So somehow, I got the job on 'Corrie.' For the first time in a while, someone really believed in me.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
I remember at the time, there were all these teen movies being made. It was this resurgence of John Hughes-esque teen comedies. I was sent a lot of them to audition for, and a lot of them at the time didn't really impress me. I remember I was sent one called East Grand Rapids High, which ended up becoming American Pie, and I didn't like it. Although I think I did audition for it.
I had a brief theater background and loved the backstage world there's more backstage work in television, so I saw a job advertised and applied, and got it. That was back in 1977, when getting jobs was easy.
There's something about being a part of Broadway and going backstage. You know, like when I go to see a show now and going backstage and saying "Hi" to the cast. It's so thrilling. It's so beyond my wildest dreams from when I was a kid.
When I moved to Los Angeles, I was straight out of grad school, and I didn't have a single credit to my name. I knew one person in town - another actor whose name is John Billingsley. I just had to audition and audition and audition. I was plugging away for 15 years. So I earned my stripes!
I've gotten jobs that I think I've done the worst audition I ever did, and I got the job. I've done the best audition I've ever done in my entire life, and I haven't gotten the job.
I went into the audition room with the mindset that 'Little Fires' was going to be my last audition. I put my all into it, but I didn't get my hopes up.
It's the same challenge as with any other character, adults or not. You want to take time with the kids. You want to tell them in the audition that they have time to exchange ideas. I'm there. It's not someone else who does the audition, but I don't want to audition a thousand children.
My first professional audition was for a radio play in Manchester. That was the first audition that I got. It was my first paid job, which I think was, like, £150, and I thought it was megabucks.
I remember going on stage for the very first time as a solo act, I was probably, like, nine or 10 years old. And being backstage, I started having anxiety... I was literally getting sick.
I think professionally I admire people and the way they've handled their careers and being in the media. But the people that I used to inspire me and keep me going were my peers in Toronto - I would see the same girls going to audition after audition, and their resilience to do it again, and I found that inspiring.
My mum sent me to an open audition for 'Notes On A Scandal' so I could see quite how many other girls wanted to do this. And I queued up, and I got the job. That was my first-ever audition, and my second was 'Atonement.'
The first audition I went out on was because my father was on an audition for a TV show called the 'Gilmore Girls,' and that kind of snowballed a lot of stuff in my life.
I actually like to audition. I prefer to audition for something because I don't want to walk onto a stage or a set and [have someone] say, "You are so far away from what I thought you were going to bring in." I would feel more comfortable to audition and say, "Here's my take on it - take it or leave it".
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