A Quote by Colin Farrell

It can be a bit annoying if another actor is trying to talk to the director and the wife is sitting on his lap. — © Colin Farrell
It can be a bit annoying if another actor is trying to talk to the director and the wife is sitting on his lap.
The actor is concerned with his own bit of it, but the director's somehow trying to work the whole thing into a much bigger picture. It's like conducting an orchestra.
I enjoy the acting, but I didn't plan on that. It fell into my lap, and I'm having a lot of fun with it, but I'm definitely moving towards directing because I'm naturally a writer, and I think a good director edits, writes, and has acted a little bit. He's done a little bit of everything, and that's what I'm trying to do.
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.
So I started to learn Russian and I was one of those probably way too eager, annoying young actor kids who was trying to change all my lines to Russian, much to the dismay of the director and Nic Cage.
I remember a few years ago I was sitting at home with my wife watching the Oscars. I was sitting on the couch and suddenly heard my voice. It's thrilling. It's interesting that a lot of guys do me. I have a friend who does me on his answering machine so when I call him I talk to myself. I don't really know what that comes from. It doesn't seem to me that I speak in a strange way. My wife says Kevin's (Spacey) the best.
I was a child actor in 'Deliverance,' but not the banjo player. It was my dad's big movie as a director, and at the very end there's a scene where Jon Voight comes home to his wife. I played his young son.
The difference between being an actor and a director is simple. The director has to hide his panic; the actor doesn't.
I'm just full of surprises." Watching her, he waved the wrapped bar from side to side. "You can have the candy if you sit on my lap." That sounds like something perverted old men say to young, stupid girls." I'm not old, and you're not stupid." He sat, patted his knee. "It's Belgian chocolate." Just because I'm sitting on your lap and eating your candy doesn't mean you can cop a feel," she said as she folded into his lap.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say 'rain,' and it started raining, and then he would say 'song,' and people started dancing. I thought I was sitting on God's lap.
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
Just make sure you're gone by the time we get to Miles's. It creeps me out to see you sitting in his lap without his permission.
I'm a huge fan of the director, Alejandro González Iñárritu, and his work, and I knew he was going to be an amazing actor's director, based on the performances that I saw in his movies.
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