A Quote by Colin Farrell

I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.
You really can't do a remake. I mean, 'King Kong' needed its turn to be remade. It needed an update. But the 'Bad News Bears,' or 'The Shaggy D.A.,' those are classic movies. I think they did a good job of remaking them, but it's just not the same thing. Nobody can top Tatum O'Neal. It just isn't the same.
With any movie that gets remade, whether I like the remake or not, I'm glad that I can still go watch the original that I love. If the remake is offering something different, I really value that because I'm having a new experience and adding something new to my life.
On a flight, I saw the 'Chashme Buddoor' remake. It did nothing to me. It had no impact. Watching the remake, I missed the original team even more.
I felt that all of us working on our remake of '13 Assassins' had to honour the original director, Eiichi Kudo, and everyone else who created the original.
It's always that tricky thing with a remake, especially when it's something that's well loved. You're coming to something that has a built-in fascination, but with that comes people ready to feel disgruntled that it's being remade at all.
Zach found himself remembering something he'd heard Soledad and Leo saying the previous night, about healing. That it was mysterious. That it took time. And that Lucy was just at the beginning. That a terrible thing had happened - two terrible things, really - but they were now over. And that Lucy would be okay, in the end.
When I heard 'Rockabye,' I was just blown away. It had been a long time since I had heard a song that had a message like that in it - about being a single parent and caring for your child.
Insofar as she recognized at all that she was dreaming, she realized that she must be exploring her subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was really clear what the other nine tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
When Wikileaks came out... never heard of Wikileaks, never heard of it. When Wikileaks came out, all I was just saying is, "Well, look at all this information here, this is pretty good stuff." They tried to hack the Republican, the RNC, but we had good defenses. They didn't have defenses, which is pretty bad management. But we had good defenses, they tried to hack both of them. They weren't able to get through to Republicans. No, I found it very interesting when I read this stuff and I said, "Wow." It was just a figure of speech. I said, "Well, look at this. It's good reading".
I well recall my horror when I heard for the first time, of a journalist who had laid in a pair of what were then called bicycle pants and taken to golf; it was as if I had encountered a studhorse with his hair done up in frizzes, and pink bowknots peeking out of them. It seemed, in some vague way, ignominious, and even a bit indelicate.
I guess I just sorta figured out early on that most of what people feared was based on things they had heard or read, rather than what they had seen or touched. That being said I do fear that dark in the sort of spooky illustrative sense, that whole idea of "not knowing" whats there. I had really bad problems with the spooks when I was young, but not for fear of aliens.
The only thing Jess really cared about were those two children and letting them know they were okay. Because even if the whole world was throwing rocks at you, if you had your mother at your back, you'd be okay. Some deep-rooted part of you would know you were loved. That you deserved to be loved.
I went to the opening of 'Sister Act,' and I had such a great time. I had no idea what it was about, and I had never seen the movies. But I heard the show went through some major last-minute craziness in previews, and man, opening night was really fun and really entertaining.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I've found that the chief difficulty for most people was to realize that they had really heard new things: that is things that they had never heard before. They kept translating what they heard into their habitual language. They had ceased to hope and believe there might be anything new.
I'm just curious how it'd look like if someone tried to remake my work. But I really believe that it's hard to remake of any of my work.
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