A Quote by Colin Firth

In filming you're waiting. You're waiting for lights. You're waiting for people set things up. And when you're not waiting, you're repeating. And neither is conducive to spontaneity, you know. Comedy makes you very, very neurotic because you think, I - but did I nail it?
In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.
I truly believe that we each have a House of Belonging waiting for us. Waiting to be found, waiting to be built, waiting to be renovated, waiting to be cleaned up. Waiting to rescue us. Waiting for the real thing: a grown-up, romantic, reciprocal relationship.
Mostly, I am waiting. Got to finish the edit, I am waiting. Dubbing must get over, I am waiting. Waiting for shoot. Waiting for the set. When you are waiting, your mind isn't relaxed enough to watch a film.
There's a very curious and - and almost sadistic lust for blood that overcomes the concert listener, and there's a waiting for it to happen: a waiting for the horn to fluff; a waiting for the strings to become ragged; a waiting for the conductor to forget the subdivide, you know? And it's dreadful!
I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?
I have spent probably years of time waiting in studio lounges - waiting on a mix, waiting on my time to sing, waiting on, waiting on, waiting on. That's just the nature of life.
We're all sinking in the same boat here. We're all bored and desperate and waiting for something to happen. Waiting for life to get better. Waiting for things to change. Waiting for that one person to finally notice us. We're all waiting. But we also need to realize that we all have the power to make those changes for ourselves.
Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.
To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set.
Women have always been seen as waiting: waited to be asked, waiting for our menses, in fear lest they do or do not come, waiting for men to come home from wars, or from work, waiting for children to grow up, or for the birth of a new child, or for menopause.
What are we waiting for? Why is Jesus waiting in heaven at the right hand of the Father? Who is He waiting for? He is waiting for you and me to become mature, for the Bride of Christ to become mature, so that He can come again. Did you know that God has done everything He can do? If anything else is going to be done, we're going to do it.
Editing is very satisfying process. You spend hours working on something and then you get to watch it. It's immediately satisfying where everything else is just kind of waiting and waiting and waiting.
Not only do we have to be good at waiting, we have to love it. Because waiting is not waiting, it is life.
In Hollywood, there's not a ton of roles for Asian people. So a lot of it is waiting and waiting and waiting.
The essence of a government health care system - for people who have never lived under it and don't know - is waiting, waiting, waiting. You wait for everything. You wait for years for operations that are routine in America.
When you do a play, you have all this time to rehearse and grow into the character. In television, even though you're waiting and waiting and waiting, once you're actually on set engaging in the scene with another actor, time is of the essence.
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