A Quote by Colin Firth

What infuriates me is that in America violence is judged in context, whereas language is not. So with language there is an arithmetic that says: one f*** is a PG 13, two f***s is an R. They don't say: one bullet through one head is a PG 13, two bullets through more than two heads is an R.
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding. But it will be another PG-13 movie.
'Warm Bodies' - I was contractually obligated to deliver a PG-13 movie. But, like, I wanted it to be PG-13 because it's for younger people, and I don't want them not to be able to see it. I mean, you have to kind of think about the marketplace as well.
War of the Worlds is rated PG-13. Much of the earth's population is wiped out, leaving very little time for sex or bad language.
The only problem is I can't get into PG-13 Land. I just get stuck in R rated movies, which they would love us to make PG-13 movies but I never get there. But I think that you've got to make them different. You've got to switch them up.
As anyone who has recently seen PG-13 movies knows, the level of violence in them has increased to the point of making the Motion Picture Association of America's voluntary rating system meaningless.
All the copycat movies were always PG-13 and people said: "Nobody wants violence."
We take the R-rating on a case by case basis when the story warrants it and necessitate that rating, and shouldn't be hemmed by the rules of PG or PG-13.
Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conversations around translation, or even as two disassociated phenomena that can be brought together to collaborate with more or less success, I think of sound as sense. Sound has its own meaning, and it's one of the many non-semantic dimensions of meaning in language. I want to emphasize is the formal dynamic between language-as-information and language-as-art-material.
The Motion Picture Association of America wipes the sweat off its brow and sings the PG-13 song.
The more familiar two people become, the more the language they speak together departs from that of the ordinary, dictionary-defined discourse. Familiarity creates a new language, an in-house language of intimacy that carries reference to the story the two lovers are weaving together and that cannot be readily understood by others.
All the PG-13 superhero movies are depriving me of the gore that I need.
Well, they had to have me in the G-string because this is PG-13, right?
In movies you can shoot a guy 3,000 times and get a 'PG-13', but if you say the 'F' word twice it's automatically an 'R'. I'll let that be its own comment.
I love that when you take that PG-13 off the table and say, 'This is what we're going to do,' everything becomes fair game, and you really go for it.
My life is PG-13 sometimes, and I really want Josh Grogan to propose to me, and he just won't do it.
PG-13 horror, I just don't watch that.
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