A Quote by Colin Firth

I'm just the last English twit, really. — © Colin Firth
I'm just the last English twit, really.

Quote Topics

Mr. Twit was a twit. He was born a twit. And, now at the age of sixty, he was a bigger twit than ever.
I was saying on the air: "Victorino used the Twitter and he sent a twit to tell the fans he was coming." Well, the city went hysterical. The sky nearly fell down from laughter. I always thought that if you are going to use Twitter, it's going to be a twit. Why would it be a tweet?
A lot of the demos I write are all in English, so releasing music in English isn't translating to English, it's just keeping them in English.
The Color Purple really floored me. That book was just incredible because I loved the language. The biggest deal of that book was that I loved the poetry of broken English. Broken English and vernacular. It just floored me that you can actually capture the way people really talked. And I also really connected to the social class element.
People are always saying, English, English, English rose, and I just feel so completely different.
I'm not a real big text guy. I'm not really into this new age stuff. I don't twit or tweet, but I think face-to-face is a man thing.
You're just a silly little Whitehall twit: you don't trust me and I don't trust you.
My English was limited to vacationing and not really engaging with Americans. I knew 'shopping' and 'eating' English - I could say 'blue sweater,' 'creme brulee,' and 'Caesar salad,' - so I came here thinking I spoke English.
I like English football because you play all the games from the start of the Premier League to the very last game always 100%. Even when squads in the last two or three games have just been relegated, they still play 100%.
In the beginning, for the first English record it was really hard for me because I'm a perfectionist and I really wanted it to sound natural and not like a German who tries to sing in English.
English is really free for me; there's no limits to the music and the imagination. And French, it's just I live in Paris, and it's really a poetic language where you can really play with words.
When I'm in Brazil, I'm not Brazilian at all; I am a gringo. And then when I'm in England, I'm not really English, but when I lived in Canada, I was considered too English. So I never really felt like I clicked somewhere or that I belonged to one place.
So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.
The beautiful thing about it is that 'Despacito' is not really an English crossover. It was just another song that the world made a crossover. I didn't really push it; it just kinda went there.
Black English is simpler than standard English in some ways; for example, it often gets by with just 'be' and drops 'am,' 'is,' and 'are.' That's because black English arose when adult African slaves learned the language.
My English is closer to the literary English, and I'm not very familiar with jokes in English or with, you know, with small talk in English.
This site uses cookies to ensure you get the best experience. More info...
Got it!