A Quote by Colin Firth
The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.
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I've always been spontaneous and outgoing... I've tried lots of things so I've got some good life experiences, which is great 'cause it means I've got lots of material to work with as an actor.
One of the biggest misconceptions about me is that I'm a comedian, which I'm not. A comedian is someone who can stand up in front of an audience and make you laugh. I've never done stand-up and I never will. I'm a comic actor. My comedy comes through my characters.
It's a mental fake-out to myself. I make believe I'm making a new show so I forget the material I was working on and make up some fresh material.
It's always this grand search in the industry to find good material. Whenever there is good material, they all jump on it, and it's like a food fight to get it made. That's why so many things take years and years to develop because it all shows up on screen.
So often, I have seen really, really talented performers never quite relating to material. I mean, there's a lot of gay actors, for example, that are obviously gay. They're not going to be able to do some of the material. Some of them they can, some of them they can't.
But when you're in front of an audience and you make them laugh at a new idea, you're guiding the whole being for the moment. No one is ever more him/herself than when they really laugh. Their defenses are down. It's very Zen-like, that moment. They are completely open, completely themselves when that message hits the brain and the laugh begins. That's when new ideas can be implanted. If a new idea slips in at that moment, it has a chance to grow.
I extract what I consider the best material from different sources. But often the material I perform comes from a very strange location in history, which are minstrel shows.
You just gotta record stuff and move on and make new material. Painters don't wait until they're in some specific gallery before they move on to the next painting.
When you're coming up with new material, it's not always gonna be good. The only way to learn is for it not to get a laugh, so you can adjust it and come back the next day to see if it's working right. Next time, you might get a different laugh. You're constantly rebuilding.
I'm planning a different show, though for obvious reasons some of the material will be the same, and of course I will perform material from the new CD.
All kinds of music comes out that I'm not prepared for. Some of it is good, some of it rubbish, but I kind of accept it all. That's the nature of stream-of-consciousness. You can't always come up with your most lucid material in the heat of the moment. I take that risk when I play live. I open up my mind, however fertile a creative springboard it is that evening.
For me, painting is that magical material, that beautiful stuff that was invented, the ground-up pigments in oil which makes it very malleable. It can be manipulated and changed, darkened, lightened, given different hues and colors, so that by manipulating this material somehow I can find that figure I'm looking for, that figure that represents all the issues I'm bringing up and addressing.
If I want to be a real comedian, I can't let you dictate my material, so I started creating more new material.
I found that the quality of TV material that came to me was so great and was just often better than the film material I got. And when I find a good movie that I really like, I jump on it because it's exciting to do.
Every once and a while somebody writes a script, but even regardless of what age you are, most of the actors would all agree that it's all based upon material and the material has got to spark with you. It may be great material but you think it's great material for somebody else. Or it's great material and I'm perfect for it. So, you just have to make that judgment and if you feel in the mood to do it.
I often find in doing tragedy, or doing very serious material, that there's a level of anxiety that builds that often leads to laughter in some cases. In between takes, there can often be a lightness.
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