A Quote by Colin Firth
One of the things that makes you want to be an actor, speaking only for myself, is that there's something infantile about it. You're suspending disbelief, pretending and entering into a story world.
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In drama, I think, the audience is a willing participant. It's suspending a certain kind of disbelief to try to get something out of a story.
One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
I don't want to build any image for myself. I don't want people to say, 'He does only a certain type of role.' I don't want only to be the hero of the story. An actor's weakness is the different roles that he can't do. But I am keen to grab only those roles as I am here to challenge myself.
You can't really do a big character in an action film; you're already suspending your disbelief in the action, then to suspend your disbelief in the character is too much.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
The value of a story isn't that it just has a narcotic effect. It's that it awakens something in you that makes you want to think, that makes you talk to other people, that stirs something that makes you examine the story that eventually turns into self-examination.
You want to do movies that you are proud of - telling a story that you want to tell, not a story that you are forced to. Of course, as an actor, there are some things that you do that you try to forget about, but that's part of the job.
When I travel, I love speaking to women around the world about the things that inspire them, the fashions they like, what makes something good and what would make it even better.
There's always the day where you do the effort noises, so there's a lot of grunts, huffing and puffing, pretending like you're hopping over things, pretending like you're getting hit, and pretending like you're kicking. If any of that was recorded, it's some of the silliest stuff I'll ever do, as an actor, but it's fun and liberating, in a way, 'cause no one can see me. I videotape myself doing it sometimes, to send to my friends just to remind us how ridiculous our jobs are.
Generally speaking, I'm much more in favour of penises entering vaginas than axes entering skulls. But the world seems to accept the violence a lot easier than the sex.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
As for myself, I'm attracted to venture into places with peeling paint, and areas that are crumbling a little bit. It makes sense because we've already established the photography focusing on architecture, even if it looks incorrect, there's something appealing about entering that.
I only want to make movies that I believe in, that I care about and that mean something to me. At the end of the day, that's the only reason I'm doing this. Hopefully I can continue to grow and challenge myself to try to do things I've never done before, and make different kinds of movies that still maintain what makes the film my film.
I see myself doing Harry Potter films as long as I'm enjoying it and as long as they are going to challenge me as an actor. I want to be an actor - it's my aspiration - so I want to do other films. I want to write something and I want to direct something!
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