A Quote by Colin Firth
I can't imagine seeing Batman in black and white. It was such a colourful TV series. I know. I'm ancient. It wasn't abnormal to be without a television in those days. People who had colour were special.
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I wrote for television some, animation. Batman the Animated Series, Superman the Animated Series, Son of Batman, things of that nature were made and I'm happy about that, but now the recent film and TV stuff have validated me, as if that makes any sense.
The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends.
I was watching cartoons on television and a commercial came on for one of the Batman series where I played a butler. And then my grandson looked up at me and he said, "Do you know Batman?" I said, "Yes." He said, "Really," I said, "Yeah." I said I know him very well. And he told all the boys at school, he said, "My grandpa knows Batman. Does your grandpa know Batman? OK, no. Mine does.
I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.
I used to watch those syndicated, black-and-white Country Music Television shows from the '60s with my dad. And all of those people that played on our television set, they just felt like family to me. And I believed in my heart, as a little kid, that I would be doing that someday and I would know all those people and we would be friends.
I don't have anything against colour. It is just not my first preference. I have always found black and white photographs to be quieter and more mysterious than those made in colour.
We were raised very colour blind. I had gone to school and to camp for so long with white people, I think I was like 15 years old before I realised I was black.
I did this whole series on the buffalo soldiers-on black soldiers-I did another series on black cowboys, and I presented myself to the gallery system, and all these people with these massive collections didn't know there were black cowboys or black soldiers. I ended up hitting a niche I didn't know was there.
Can you imagine what it would be like to know that your life was just going to be a series of days that were all the same, that were do-overs?
Everything always looked better in black and white. Everything always looked as if it were the first time; there's always more people in a black and white photograph. It just makes it seem that there were more people at a gig, more people at a football match, than with colour photography. Everything looks more exciting.
As for the not-black black president issue - white people can imagine blacks worse off than them, no problem. And now they can imagine blacks better off, no problem. But they still can't imagine black people who are just like them. That's the real problem. That's racism. Not being able to believe that those others are actually just like you.
I was looking around this room, this sea of industry folk. If I had have worn black and white, somebody would have asked me to get them a cocktail; the only other people of colour there were servers.
The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl.
Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.
As I wouldn't wear a costume, I couldn't imagine him wanting to wear one. And seeing that the greater part of my wardrobe is black (It's a sensible colour. It goes with anything. Well, anything black)[...].
I had no money. I had no savings account.So I would bring down my color TV set, a Sears TV with a cable snaked into it - they had no video-in back in those days - and hooked it up to the circuit of very few chips and then a little keyboard you could type on. And I was trying to impress people with how did he do it with fewer chips than anyone could ever imagine?
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